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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, July 09, 2013

SNJO @ Gala Theatre, Durham - In the Spirit of Duke July 8

Tommy Smith (ten/md); Ru Pattison (alt/sop/clt); Martin Kershaw (alt/clt); Konrad Wiszniewski (alt/ten/clt); Bill Fleming (alt/bar/bs. clt/clt); Ryan Quigley, Cameron Jay, Tom McNiven, Lorrie Cowieson (tpt); Kevin Garrity, Phil O'Malley (tmb); Michael Owers (bs. tmb); Brian Kellock (pno); Calum Gourlay (bs); Alyn Cosker (dms).
(Review by Lance)
I knew what to expect - or at least I thought I did. The Scottish National Jazz Orchestra's CD In the Spirit of Duke has never  been far away from the machine and yet, hearing it live added a new dimension and the richness of the saxes combined with the power of the brass and a tightly knit rhythm section made for a band that ticked all the boxes.
Having said that, I found even the abbreviated version of Rhapsody in Blue still a tad (well several tads) too long. Likewise Tommy Smith's showstopping closer the tenor sax marathon  Diminuendo and Crescendo in Blue paying homage to the legendary Newport '56 solo by Paul Gonsalves could also have benefitted from a little more brevity. But these are minor quibbles in an evening that fairly sizzled both musically and weatherwise.
The first set; Black and Tan Fantasy/Creole Love Call - Jack the Bear (featuring Calum Gourlay on bass) - Le Sucrier Velours (gorgeous sax blend) - Daybreak Express (Quigley takes off) - Concerto For Cootie (Tom McNiven as Cootie Williams) - Rhapsody in Blue. Everybody had their say on Rhapsody including Brian Kellock who performed brilliantly all evening.
The queue at the bar was about as long as that queuing at Wimbledon the previous day so Russell and I nipped across the road to "The Duck" which was empty. After a pint of "Cockerhoop" - appropriately named on such an enjoyable evening we got back in time for Kellock to play Kinda Dukish which led into Rockin' in Rhythm with, once more, Quigley flying high.
Ru Pattison came down front for an authentic Johnny Hodges type rendition of Prelude to a Kiss. Last time I heard Ru was on the band's Kenton concert where he played cool modern sounding alto yet here he was in sumptuous Hodges mode!
Sepia Panorama featured Konrad W. Ko Ko, Solitude and Morning Mood and Anitra's Dance both from the Peer Gynt Suite followed, the latter had a tenor blast from the leader as well as displaying his qualities as a raconteur. Mood Indigo, Harlem Airshaft and the rather beautiful Single Petal of a Rose (duet with Kellock and Smith) preceded The Overture from the Nutcracker Suite and finally the inevitable Diminuendo and Crescendo in Blue which wrapped up what had been a memorable concert.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance