Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Sunday, July 28, 2013

CD Review: Phil Meadows Group - Engines of Creation

Phil Meadows (alto & soprano saxophones), Laura Jurd (trumpet), Elliot Galvin (piano & Fender Rhodes), Conor Chaplin (double bass & electric bass) & Simon Roth (drums)
(Review by Russell)
The pedigree is impeccable. Phil Meadows, First Class Honours from Leeds College of Music, postgraduate studies at Trinity Laban and having occupied the lead alto chair in NYJO, the Lancastrian has, to date, worked with some of the biggest names on the scene including John Dankworth, Cleo Laine, Tim Garland and Jason Yarde. Engines of Creation marks the saxophonist’s debut CD release as bandleader and composer.
An assembly of immensely talented contemporaries feature across seven tunes; Elliott Galvin’s pivotal keyboards, trumpeter Laura Jurd’s apposite contributions, drummer Simon Roth’s musicality, Conor Chaplin’s command of upright and electric bass.
Fin opens with Meadows’ startling alto, double bass features and Roth’s clattering drums point to the tune’s inspiration – Beats and Pieces drummer Finlay Panter. Elements of the English folk tradition permeate Moving On, co-existing with the sounds of the twenty first century Leeds inprov scene. Runner, perhaps the stand out track on the CD, runs and runs; Jurd’s trumpet runs down Roth’s voodoo rhythms, Elliot Galvin’s Fender Rhodes joins the pursuit, the referencing of electric Miles evident as Meadows’ raging alto takes as inspiration the animated antics of Tinsel Town’s Road Runner relocated to the eternally frustrating South Circular, London.
Flamingos opens with a deceptively measured statement only to be disturbed by gate-crashing Cecil Taylor pianism. The title track unfolds across a broad canvas revealing many hues drawn by Meadows, Jurd and Galvin. The Dragon of George recalls an encounter with a truculent barman in a local hostelry. Chaplin’s electric bass runs rings around him as Meadows’ goading alto vents its spleen. Meadows disclosed that the genesis of the closing number – Captain Kirk – evolved from the arcane world of the British jazz club. It features first rate understated playing from a highly talented group of ‘new generation’ British jazz musicians.
Engines of Creation is out now on Boom Better Records (BOOM 006).                
Russell.       




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