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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17641 (and counting) posts since we started blogging 16 years ago. 915 of them this year alone and, so far, 60 this month (Dec. 26).

From This Moment On ...

December

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

January 2025

Wed 01: ???

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, July 01, 2013

CD Review: Barbacana Barbacana

James Allsopp (tenor saxophone & bass clarinet), Sylvain Darrifourcq (drums, objects & toys), Adrien Dennefeld (guitar & cello) & Kit Downes (organ, keyboard & prepared piano)
(Review by Russell).
An Anglo-French quartet, Barbacana comprises two star names of the new generation of British musicians - Kit Downes and James Allsopp - and two stellar performers from France - Sylvain Darrifourcq and Adrien Dennefeld. The quartet’s debut recording on Babel Label opens with a foursome’s squabble - Animation. A bewildering, frantic patchwork of noise; clattering Darrifourcq, Downes’ keyboard mania, Hawaiian Frisell oddity from Dennefeld (guitar) and the relative restraint of reedsman Allsopp ushers in a calming coda.
Allsopp’s bass clarinet maintains the new found sanity on Steam, guitar becalmed. Switching to tenor, Allsopp resists temptation as Darrifourcq taps out a rhythmic pattern (no takers!). Adobes simmers, slow groove, found and prepared sonics, quickening tempo, then done.
To the title track - Barbacana - and it’s polyrhythmic intro, then done, a mere 1’49 on the clock. Allsopp’s For No Raisin (great title!) lopes along, tenor, morse code guitar, a bayou hinterland. Downes and Allsopp’s Migration-Big BIG shop careers out of control, Allsopp’s tenor takes command, Dennefeld wails, Darrifourcq’s coiled-spring intensity launches a post -Trane workout, exhausted, they give out.
The closing track - Outro - composed by Dennefeld searches for a hook; Downes repeated motif underpinned by bass clarinet, it fades out (Outro).
In summation, Barbacana features stunning musicianship, all of the tunes promise to develop into a grand affair yet resolve to leave the listener wanting more. And in concert hearing of the music of Barbacana is sure to be a fulfilling experience.
Russell.              





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