Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Mon 24: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Monday, July 01, 2013

CD Review: Barbacana Barbacana

James Allsopp (tenor saxophone & bass clarinet), Sylvain Darrifourcq (drums, objects & toys), Adrien Dennefeld (guitar & cello) & Kit Downes (organ, keyboard & prepared piano)
(Review by Russell).
An Anglo-French quartet, Barbacana comprises two star names of the new generation of British musicians - Kit Downes and James Allsopp - and two stellar performers from France - Sylvain Darrifourcq and Adrien Dennefeld. The quartet’s debut recording on Babel Label opens with a foursome’s squabble - Animation. A bewildering, frantic patchwork of noise; clattering Darrifourcq, Downes’ keyboard mania, Hawaiian Frisell oddity from Dennefeld (guitar) and the relative restraint of reedsman Allsopp ushers in a calming coda.
Allsopp’s bass clarinet maintains the new found sanity on Steam, guitar becalmed. Switching to tenor, Allsopp resists temptation as Darrifourcq taps out a rhythmic pattern (no takers!). Adobes simmers, slow groove, found and prepared sonics, quickening tempo, then done.
To the title track - Barbacana - and it’s polyrhythmic intro, then done, a mere 1’49 on the clock. Allsopp’s For No Raisin (great title!) lopes along, tenor, morse code guitar, a bayou hinterland. Downes and Allsopp’s Migration-Big BIG shop careers out of control, Allsopp’s tenor takes command, Dennefeld wails, Darrifourcq’s coiled-spring intensity launches a post -Trane workout, exhausted, they give out.
The closing track - Outro - composed by Dennefeld searches for a hook; Downes repeated motif underpinned by bass clarinet, it fades out (Outro).
In summation, Barbacana features stunning musicianship, all of the tunes promise to develop into a grand affair yet resolve to leave the listener wanting more. And in concert hearing of the music of Barbacana is sure to be a fulfilling experience.
Russell.              





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