Bebop Spoken There

Gary Bartz: ''Charlie Parker was my introduction to the religion of music. And so he's always with me .'' - Downbeat November 2025.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17950 (and counting) posts since we started blogging 17 years ago. 914 of them this year alone and, so far, 23 this month (Nov. 7).

From This Moment On ...

November

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Tannery Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Thu 04: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Seasonal/Festive Music & Songs - autumn into winter.
Thu 13: Awen Ensemble @ Pilgrim, Newcastle. 7:30pm (doors). £5.00. Jazz-folk.
Thu 13: SwanNek + Ellen Beth Adbi + Phantom Bagman @ Glasshouse, Gateshead. 8:00pm. A BBC Introducing event.

Fri 14: Dan Johnson Quartet @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 14: Giles Strong Quartet @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Brian Jackson @ Pilgrim, Newcastle. 7:30pm (doors). £32.00. SOLD OUT!
Fri 14: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. £12.00 (inc. pie & peas). SOLD OUT!

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: Tweed River Jazz Band @ Warkworth Memorial Hall. 7:00-9:30pm.
Sat 15: Les Frères Frangipane @ Jesmond Library, Newcastle. 8:00pm (doors 7:30pm). £10.00. ‘Chanson Française’. Fundraiser for Jesmond Community Orchard & Jesmond Library.

Sun 16: Jo Harrop @ The Globe, Newcastle. 2:30pm. Duo performance.
Sun 16: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. ‘Jazz Sunday’ with special guest PETE TANTON.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ Queen’s Hall, Hexham. 3:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Lorne Lofsky-Nigel Price Quartet @ The Globe, Newcastle. 8:00pm. Lofsky (guitar); Price (guitar); Jeremy Brown (double bass); Joel Barford (drums).

Mon 17: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.
Mon 17: Finn-Keeble Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Abbie Finn.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, July 18, 2013

CD Review: PETE McGUINNESS – VOICE LIKE A HORN

Pete McGuinness – vocals, trombone; Jon Gordon – alto sax, flute; Bill Mobley- trumpet; Ted Kooshian - piano; Andy Eulau – bass; Scott Neumann - drums
(Review by Debra M.)
Pete McGuiness is an established jazz arranger, trombonist & vocalist, based in New York City. The first album to showcase his voice, this combination of all facets of his musicianship has resulted in the swinging scatfest ‘Voice Like A Horn’. The recording features a small ensemble of piano trio and horns, & McGuinness’s arrangements provide ample opportunity for improvisation for all the instrumentalists, of which his scatting is an integral part.
Variety is added by the horns, which are particularly effective in ‘Oh You Crazy Moon’, punctuating the vocal & solo sections. McGuiness’s honeyed tones are clearly reminiscent of Chet Baker & Mel Tormé, and his smooth voice, with innate swing and fluid scatting , particularly suits the high tempo numbers. The project comprises mainly jazz standards, an exception being trumpeter Bill Mobley’s be bop style ‘49th Street’. On this track, and also Dizzy Gillespie’s ‘Birks’ Works’, McGuiness’s vocal agility is extraordinary. Perhaps not surprisingly, the style is similar to his trombone solos , in particular in George & Ira Gershwin’s ‘Who Cares?’. However, good musicians know when less is more, and contrast is provided by his compelling, stripped down rendition of ‘Never Let Me Go’, which has the most emotional impact of all the tracks on the album. Sometimes just the words are enough.
Debra M.

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