Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Sun 09: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 09: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: The Gambling Janes @ The Globe, Newcastle. 8:00pm.

Mon 10: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm.Free.

Tue 11: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Thursday, July 18, 2013

CD Review: PETE McGUINNESS – VOICE LIKE A HORN

Pete McGuinness – vocals, trombone; Jon Gordon – alto sax, flute; Bill Mobley- trumpet; Ted Kooshian - piano; Andy Eulau – bass; Scott Neumann - drums
(Review by Debra M.)
Pete McGuiness is an established jazz arranger, trombonist & vocalist, based in New York City. The first album to showcase his voice, this combination of all facets of his musicianship has resulted in the swinging scatfest ‘Voice Like A Horn’. The recording features a small ensemble of piano trio and horns, & McGuinness’s arrangements provide ample opportunity for improvisation for all the instrumentalists, of which his scatting is an integral part.
Variety is added by the horns, which are particularly effective in ‘Oh You Crazy Moon’, punctuating the vocal & solo sections. McGuiness’s honeyed tones are clearly reminiscent of Chet Baker & Mel Tormé, and his smooth voice, with innate swing and fluid scatting , particularly suits the high tempo numbers. The project comprises mainly jazz standards, an exception being trumpeter Bill Mobley’s be bop style ‘49th Street’. On this track, and also Dizzy Gillespie’s ‘Birks’ Works’, McGuiness’s vocal agility is extraordinary. Perhaps not surprisingly, the style is similar to his trombone solos , in particular in George & Ira Gershwin’s ‘Who Cares?’. However, good musicians know when less is more, and contrast is provided by his compelling, stripped down rendition of ‘Never Let Me Go’, which has the most emotional impact of all the tracks on the album. Sometimes just the words are enough.
Debra M.

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