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Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, June 25, 2012

Southbound @ The Bridge Hotel. Sunday June 24

Jack Davies (trumpet), Rob Cope (tenor saxophone), Tom Taylor (keyboards) & Jon Ormston (drums).
(Review by Russell)
England v. Italy. Live on every television in the United Kingdom of Inger-land. Well, you lost. Get your money on Germany. You lost double your money… read on. 
A five-a-side audience just about outnumbered the musicians on stage. So, the quartet kicked-off with pianist Tom Taylor’s composition Bird’s Nest. Gerry Mulligan or perhaps Jimmy Giuffre’s The Train and the River just about summed up where they were at or maybe not. Band leader Jack Davies’ Paragraphs indicated a contemporary classical approach (Harrison Birtwhistle and Hakan Hardenberger – vis Jack Davies - loomed large). A feature of the performance was the writing for two instruments, then a third and fourth. Restraint was key. Self control, self-imposed parameters, the discipline of grade 8+ musicians  
Tenor saxophonist Rob Cope contributed Minus Ten on which Taylor’s efforts scored ten out of ten. Percussionist Jon Ormston’s composition Clowns and Taylor’s Three Short Stories rounded off the first set. Audience and band dashed down to the bar to check the score….0-0. Cullercoats Brewery’s Jack the Lad hit the back of the net (1-0,  2-0, 3-0, then the scorer lost count). 

Second set: Tom Taylor spent a Day on the Roof Tops playing some first rate keyboards and Davies’ trumpet hit home. Rob Cope’s Southbound1 encapsulated the group dynamic and pianist Taylor’s Chaos rather politely caused a minor disturbance before closing with the American literary icon Saul Bellow-inspired Bellow. A winning gig. The quartet stood to applaud the audience. The audience (the quintet) stood as one to return the compliment. For the record books: Band and audience dashed down to the bar to watch the penalty shoot-out. Italy 4 England 2. Next week (Sunday July 1) get your money on Germany and the Paul Edis Trio (the Music of Bill Evans) at Splinter at the Bridge.
Russell                     

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