Total Pageviews

Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, April 07, 2012

Zoe Gilby Quartet @ Blaydon Jazz Club. Thursday April 5

Zoe Gilby (vocals), Mark Williams (guitar), Neil Harland (double bass); Richard Brown (drums)
The Blaydon regulars turned-up – eventually – to ensure there was a decent crowd in to hear the Zoe Gilby Quartet. Gilby’s pre-eminence in the jazz vocal stakes has been so well documented in these here Bebop Spoken Here pages there seems little more to add. The plan had been to bring in altoist Caroline Bagley on this gig but the Teesside star (catch her playing sometime and I think you’ll agree she is a star) was indisposed. Such is the strength in depth of the band that it simply offered more space to guitar virtuoso Mark Williams. 
The man from Northern Ireland is in demand in a number of bands ranging from the super-charged ACV to Voice of the North to take the money and run function bands to the role of accompanist supreme. It was the latter category in which Williams excelled at this Blaydon gig. 
Ballad, latin, rumba, Gilby put together a varied set of tunes so that there was light and shade, something for everyone. Drummer Richard Brown did what drummers should do on this kind of gig – just enough. His featured number – Caravan – exemplified his understated, tasteful style and bassist Neil Harland – a Man for All Seasons – was the perfect dep. Describing Harland as a ‘dep’ is an insult as he is the most reliable of musicians whatever he is asked to play – never a bum note from Harland. 
The highlight of the evening (for this reviewer) was Gilby accompanied by Williams (Brown and Harland took time out) on ‘Round Midnight. This was Gilby at her vocal best with Williams at his most sensitive, brilliant best. 
Blaydon Jazz Club’s next session is on Thursday 3 May (8:30 pm) featuring the Mark Toomey Quartet ( Toomey is another fine alto player from Teesside) with Blaydon’s house pianist Jeremy McMurray (another Teessider!).
Russell.

No comments :

Blog Archive