Total Pageviews

Bebop Spoken There

Dave Puddy: "Eventually we paid our entrance money [to Eel Pie Island] and fought our way to one of the many bars where we could buy our Newcastle Brown and retire to the back of the heaving dancefloor. There must have been lights somewhere, but my memory remains of being in some dark cavernous wonderland." - (Just Jazz July 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Postage

11,612 (and counting) posts since we started blogging just over 12 years ago. 747 of them this year alone and, so far, 11 this month (July 3).

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.
------
Born This Day
Louis Armstrong and Steve Andrews.

Sunday, September 25, 2011

Scarborough Jazz Festival - Saturday Afternoon.

Kate Williams Quartet featuring Gareth Lochrane. (Williams (pno); Lochrane (fl.); ? (bs); Tristan Maillot (dms).
Mating Call was title of Kate's original tune that opened the set launching Lochrane into an orbit of a million choruses! This was a mating call that worked and, like the original Pied Piper, the fans responded in hypnotic surrender and this was just his first solo! The composer too let her hair down proving she too had the chops for it. I didn't catch the name of the bassist who replaced Jeremy Brown but he was in there every bar of the way likewise drummer Maillot. While We're Young (Alec Wilder?) made for a pleasant change in what had so far been a Festival of mainly originals and all four (Lochrane on alto flute) treat it with respect in a probing, introspective and rather beautiful manner.
Alan Barnes joined in on alto for Cole Porter's All Through the Night and Lochrane switched to piccolo - he can swing that too!
The afternoon was looking good.
Mark Nightingale Quintet. (Nightingale (tmb); Nigel Hitchcock (alt); Graham Harvey (Rhodes); Lawrence Cottle (bs); Alyn Cosker (dms).
The trombonist described his new project as 'basically bebop played over different rhythms" which summed it up fairly accurately partiicularly Unlucky Foursome which was played in 13/8 time. Needless to say Cosker handled the unusual time signature with ease!
Hitchcock blew some paintstripping alto on Auto  Eight Inch Clock which just happened to be an anagram of his name!
As for the leader what can be said other than he is a master of his instrument. The final Groove was as explosive as they come and appropriatly entitled unlike the second number - Closure!
Gilad Atzmon and the Orient House Ensemble. (Atzmon alt/sop); Frank Harrison (pno); Yaron Stavi (bs); Eddie Hick (dms).
Three outstanding alto players in a row! In a photo finish I don't know which one I'd bet on - it would be close.
One thing you can depend on with Gilad is a show whether it be music, comedy or a political rant and, needless to say we got all three. However, it was the music that shone through and captured the crowd. His seemingly effortless flights of fantasy the stuff that dreams are made of (well sax player's dreams!)
On piano Harrison proved equal to the task of keeping pace with the enigmatic leader and he soloed impressively Stavi and Hicks too were 100% solid but it was Gilad who captivated by his ability to incorporate tunes like Roll Out The Barrel, Mack The Knife and Salt Peanuts into his solo and retain credibilty!
The final Cherokee was the blast to end all blasts - Phew!
Lance.

No comments :

Blog Archive