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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 21, 2010

Mark Williams Trio.

Mark Williams (gtr), Paul Susans (bs), David Carnegie (dms).
The Sunday evening Splinter @ The Bridge gigs are tailormade for Mark Williams - just about every one so far has displayed a different side to his talents.
Remember how Sammy Davis Jnr. would sing a song and do impersonations of various other singers then, when it came to the final chorus he would say dramatically "And this is me!"
Tonight, Mark Williams did just that - metaphorically speaking that is - he is a man of few words. Tonight Mark, the real Mark Williams, unveiled his true self with a couple of sets that set The Bridge on fire.
With Paul Susans (bs) and David Carnegie (dms) Mark played imaginative originals that incorporated Paul and David as equal thirds with himself. Gentle and conventional until the set closer which was a belter. No other word for it. Close your eyes and images of a jazzified Cream may pass by as all three went for it.
The second set saw Paul move from double bass to precision (or was it a jazz?) as the trio launched off into orbit. By comparision the first set was Fenwicks' Tea room - this one was Fillmore East.
Three men in a boat jumping overboard, swimming frantically in different directions then returning each one telling his own tale of adventure. It was organised chaos that all came together beautifully when it needed to.
Mark was on top of his game but what about David Carnegie? He kicked ass and good.
Paul Susans? He can mix it with the best of them and who cares if it's in 9/8 or whatever.
Bravissimo!
On stage we marvelled at Mark's dexterity - so light-fingered as to be almost unbelievable.
Even so there was someone else even more light fingered than Mark in the audience - the person or persons unknown who nicked 3 of the table candlelights.
Another good one. Next week the Claude Werner Quartet. Don't be surprised if Mark and David are on this one too!
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance