Total Pageviews

Bebop Spoken There

Bill Reglein (JJ Babbitt m/pieces): "We made this mouthpiece for Eddie Harris. He played tenor sax and trumpet. He played in some pretty rough bars. The story goes that he was afraid he'd get in a fight and get his teeth knocked out. He figured that if even that happened he could still play tenor. So, the request came in, 'Can I get a reed mouthpiece for my trumpet?' the company made exactly one." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 23

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 07, 2010

Extreme Pleasures From Extreme Measures - Splinter @ The Bridge

Gary Turner (ten), Mark Williams (gtr), Stu Collingwood (keys), Stuart Davies (bs), David Carnegie (dms).
Another good turnout at the Bridge Hotel for Extreme Measures. As I pointed out in my previous post, in years to come you'll want to tell your grandchildren about this band. They are simply the best in their chosen genre - jazz/rock/funk.
Tonight saw the first appearance with the band of Stuart Collingwood who has taken over on piano, or 'keys', - to use the current buzz word - from Ben Gilbert.
Totally different stylistically from Ben, Stu and the band have gelled together well to bring a different dimension to the music. Stu has also added a couple of his own pieces to the library both of which were premiered tonight.
Out front, Gary and Mark sell excitement. Mark is well known on the scene - he pops up anywhere from the Cherry Tree to The Chilli and can adapt to any situation. Catch his trio at this venue in two weeks time in a Splinter/JNE co-promotion.
Gary Turner is less predictable rarely being seen with other bands. Unless I'm missing something I find this strange as he can blow modern with the best of them.
With EM they each tend to begin with laid-back, meandering, probing phrases that gently lull the listener into a false sense of security before, almost imperceptibly, building up to a wild guitar thrash or a Coltranic 'sheets of sound' tenor blast that has the heart pumping out a cardiacal rhythm faster than a David Carnegie drum solo which brings me to David Carnegie.
David is not just a powerhouse drummer, he can do subtle and often does, but it is as the driving force behind EM where he excels. Constantly urging the soloists forward he drives them to unbelievable heights before taking off on his own helter-skelter multi-rhythmic ride.
Last, and by no means least and dispelling my doubts about his availability, Stuart Davies provided the bass guitar anchor that keeps it all within the extremities of the measure.
If the Sunday nights continue at this level I guess the Bridge is here to stay.
Lance.
PS: Next week the Zoe Gilby Quintet.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance