Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18844 (and counting) posts since we started blogging 18 years ago. 708 of them this year alone and, so far this month (Aug. 27) 77.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

September.

Tue 01: Customs House Big Band @ Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, John Hirst.

Wed 02: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 03: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 03: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Feat. Ian Bosworth (guitar); Ron Hampton (guitar); Riche Emmerson (tenor sax); Dan Johnson (tenor sax, alto sax); Garry Hadfield (keyboards); Adrian Beadnell (bass); Mark Hawkins (drums).

Friday, February 12, 2010

An Excellent Show But... Sinatra Live @ The Sands (Actually the Grand Opera House York.).

This show had the potentially winning formula of the best of lyrics, beautifully interpreted through great familiar arrangements, and a smooth swinging band with powerful brass and a stand out rhythm section.
There was no doubting Stephen Triffitt's laid back relaxed style, working the stage with confidence and that rare knack of making every listening woman think the love words were meant for her alone, as did Sinatra!
The first half, he explained was he, Stephen, singing in his style some great numbers, and great they were.. Summer Wind, Night & Day, Please Be Kind & many more including that lovely Victor Young number Street of Dreams.
So far so good.
The second half, however, as the title of the show indicated it would be, was a mock up of The Sands, which simply meant everyone had changed into Dinner Jackets and he, Stephen, cracked a good few asides, Sinatra style.
WHY? we weren't in Las Vegas, we were in York for God's sake! and didn't need that bit of fantasy, perhaps it was to provide variation and justify the show's title. My biggest gripe was the silence between numbers, apart from generous applause, no audience reaction, and none sought. It was fine whilst he was singing and the band were playing but what was needed was an intimate night club atmosphere where there were no footlights between audience and performer. But, oh dear, in a cool theatre - a Grand Opera House no less - with many empty seats we did need to be wooed for that gap to be bridged. I got the impression that he didn't actually need an audience, he had his band and talent...end of !
The odd way of leader Nigel Hailwood in introducing each member of the band individually by name right at the very end meant 17 bursts of applause...but what of their pedigree?
The 2 guys I spoke to afterward had been with Syd Lawrence for years, we needed to know that.
Most of all, in a band with so much talent, some solos downstage would have been good too.
Am I being picky? well when you have seen the great band shows of the past you know what works!
It was still worth seeing and I hope Lance or one of his cohorts picks it up in South Shields.
Liz

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