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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 05, 2010

John Hallam & The Roly Veitch Quartet @ The Saville Exchange, North Shields.

John Hallam (clt/ten/bar), Jeremy McMurray (pno), Andy Champion (bs), Roly Veitch (gtr), John Hirst (dms).
When I was young(er) if someone had asked me to choose my dream concert line-up I may well have came up with; Artie Shaw's Gramercy 5, the Stan Getz Quartet/Quintet, the Gerry Mulligan Quartet and possibly a Benny Goodman small group.
Nobody ever did ask me and, although they are now all dead, tonight the dream came true in the form of John Hallam.
On a wet night in North Shields the somewhat less than capacity audience who braved the unpleasant conditions were rewarded with an evening of musical magic from Manchester's John Hallam and the local Roly Veitch Quartet.
Deep Purple and Do You Know What it Means to Miss New Orleans - both had a Shavian fluency about them - the phrasing and, most of all the sound, were neo-Artie. Later John switched into Goodman mode for Stealing Apples.
On tenor he achieved the cool, without being cold, feel of Stan Getz. Whether on the uptempo Blues in the Closet or the almost sensuous take on A Nightingale Sang in Berkely Square he conjured up an image of Getz's classic 50's small groups.
The same effect on baritone 'cept this time it was Gerry Mulligan who provided the inspiration. Line For Lyons, a few Ellington's including Love You Madly and I Let a Song Go Out of My Heart - all that was missing from this "Mulligan's Stew" was a Chet Baker vocal (wonder where we could have found one of those in this band?).
Behind John, the Roly Veitch Quartet provided not just the kind of support a strolling player needs but they also held their heads up high individually.
Roly, modest and restrained as ever, on his mildly miked-up Epiphone was the epitome of taste and tasty solo flights. Jeremy McMurray, this was his kind of gig and his solos proved it. Andy Champion - the jury returned on Andy a long time ago. The verdict was unanimous: 'guilty as charged of being one of the best bassists around.'
And on drums! John Hirst. A young man capable of crossing many genre and able to say more in his four bar exchanges than some others do in a ten minute solo.
This was an evening of sheer pleasure and a laudable attempt to introduce the Saville audience to jazz sans banjo.
Next month Daryl Sherman and Digby Fairweather.
Lance.

1 comment :

John said...

Thanks for your very generous review of the concert.
It was a pleasure to come along and play with a cracking rhythm section and have such a very attentive audience.
Hope to be able to come up again sometime.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance