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Bebop Spoken There

Bootsy Collins: "I had no training at all, man. Whatever I heard in my head, that's what came out." - (DownBeat September 2018).

Madeleine Peyroux: "What I'm searching for in singing is the form of communication that doesn't come through language". - (DownBeat September 2018).

Today Tuesday August 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Jam session extra! - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, July 15, 2018

CD Review: The John Bailey Quintet - In Real Time

John Bailey (trumpet/flugel; Stacy Dillard (tenor/soprano); John Hart (guitar); Cameron Brown (bass); Victor Lewis (drums) + Janet Axelrod (flute) & Leo Grinhauz (cello) on 1 track.
(Review by Dave Brownlow)
The first album for trumpet player, arranger and  composer John Bailey, who, having spent more than thirty years in the music business “paying his dues” as an in-demand sideman, emerges from the shadows as the leader/arranger of a technically accomplished quintet. The group’s instrumentation provides excellent variation throughout – guitar instead of piano in the rhythm section, with trumpet or flugelhorn and soprano or tenor sax. Flute and cello are added to good effect on Morro Velho.
The sheer variety of his work as a musician playing just about everything from traditional jazz to r & b, and pop to classical, has provided him with the rich diet of influences evident in his compositions, of which there are seven, to add to two Brazilian cover pieces.
A trumpet prodigy, first noticed in 1984 as a High School musician, he plays with a bright, clear tone, and a fantastic technique. Ideas burst forward with great energy and attack and his cheerful personality shines through on each track. His jazz credentials are also strong having worked with Ray Charles, The Buddy Rich Band, Ray Baretto, Max Weinberg and Frank Sinatra Jr. whilst his influences range from Dizzy Gillespie, Clifford Brown, Miles Davis and mentor Ira Sullivan – enough said!
The material ranges from the straight-ahead: Rhapsody, My Man Louis, Stepping Up, to boppish: Blues For Ella, Children’s Waltz: the ballad: Lovely Planet and the post-bop: Triplicity, Brazilian Morro Velho and Ensaio Geral.
Overall, a very satisfactory first album with first-class playing and musicianship throughout, available now on - SUMMIT RECORDS  DCD 720 or from https://johnbailey.com
Dave B.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance