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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 20, 2017

CD Review: Brian Landrus Orchestra - Generations

Where does one begin? How does one classify such an ambitious undertaking? Generations crosses the genres in an unprecedented manner to the extent that it's undefinable.
Undefinable, and compelling. Where will it go next? As ambitious a work as I've heard from any of the composers who go in for this form of cross-fertilisation.
Landrus, needless to say, is at the core of things. The Jeru Concerto displays his undouubted virtuosity on baritone sax. A four movement composition dedicated to his son who, when Landrus first began writing the piece, had yet to be born. It was also inspired by another giant of the baritone - Gerry Jeru Mulligan. In between the first and second movements, there is an interlude where the composer really cuts loose with an unaccompanied solo that is, for want of a better word, breathtaking!
From the personnel listed below, it will be noted that there were a lot of other big hitters on the date. Joe Locke, recently in Ambleside, adds some tasty vibes and there's also some nice trumpet solos (Alessi?) but, apart from the leader, this isn't really about soloists, effective as they are. This is about writing, composing, arranging. Incorporating strings, adding a harpist, two bassists, two drummers to create what may, in years to come (or even sooner), be seen as a defining moment in the development of the jazz orchestra. 
Currently available on BlueLand Records, it's well worth checking out if you like your big band music to be original, contemporary and imaginative.
Lance.
Jamie Baum, Tom Christensen, Darryl Harper, Michael Rabinowitz, Alden Banta and Brian Landrus (reeds); Debbie Schmidt, Ralph Alessi, Igmar Thomas, Alan Ferber and Marcus Rojas (brass); Brandee Younger (harp); Sara Caswell, Mark Feldman, Joyce Hammann, Meg Okura, Lois Martin, Nora Krohn, Jody Redhage and Maria Jeffers (strings); Joe Locke (vibes); Jay Anderson and Lonnie Plaxico (basses); Billy Hart and Justin Brown (drums); JC Sanford (conductor). Landrus co-produced the album with fellow composers Robert Livingston Aldridge and Frank Carlberg.
1 – 5: Jeru Concerto; 6: Orchids; 7: The Warrior; 8: Arrow in the Night; 9: Arise; 10: Human Nature; 11: Ruby; 12: Every Time I Dream.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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