Bebop Spoken There
Michael Janisch: “I definitely have a completely different perception of the States on a political level, getting the news over here [in Britain], or just the way Europeans view America that was a big awakening.” – (Jazzwise October 2015).
James Moody: “[On practising] If you don't use it, you lose it. And that applies to everything--and when I say everything, I mean everything!” – (Jazz Times March 2004).
Today Saturday October 10
Wednesday, June 30, 2010
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Paul Morgan - another elite bass player - provided the essential foundation as well as chipping in with solid solos.
Martin Drew kicked it along mega mightily giving the soloists no other option but to swing their butts off or die.
Thursday, June 17, 2010
Wednesday, June 16, 2010
Tuesday, June 15, 2010
Monday, June 14, 2010
Sunday, June 13, 2010
Saturday, June 12, 2010
Friday, June 11, 2010
Thursday, June 10, 2010
Wednesday, June 09, 2010
Tuesday, June 08, 2010
The Blaydon Aces - Roly Veitch (guitar & vocals) & James Birkett (guitar) @ Blaydon & District CIU. June 7
During last week I spent the sum of £21 and had great music in return, 13 gigs to be exact. Where else in this country could you do that, I ask you?
Jazz gigs included the Claude Werner Quartet last Sunday and the Michael Garrick concert on Thursday, where I got to talk to the man himself, and what a lovely gentleman he was – see the photo. Then there was a ceilidh at Gateshead on Tuesday. I can’t imagine many of the jazz fans I know dancing at a ceilidh (eh Lance?) but it’s great fun if you like that sort of thing, which I do.
But what I mainly wanted readers to know about were the jazz-like influences that I spotted at the Sage folk concerts run by the young people doing the Folk and Traditional Music Degree. There were 10 of these concerts. Nine of them were FREE, each lasting about 45 minutes, and were part of the students’ work which was being assessed. Obviously these were mainly folk music influenced (forget Wild Rovers, there’s a lot more to it than that!) but there were influences from folk music of other cultures such as Mongolian and French, elements of Shakespeare, and even a brass band. The jazz-like elements included a young lad called Simon Stephenson on guitar who treated us to ‘Windy and Warm’ (John D. Loudermilk); ‘The Orange Grove’ composed by the lad himself but influenced by Mississipi John Hurt; and ‘Salty Dog Rag’ and ‘Saturday Night Shuffle’. That last one was originally played by Merle Travis. Simon certainly knew how to play a mean rag.
Another lad to watch for is Ben Church (I don’t think he’s related to Charlotte though he did sing a song in Welsh). He has a most intriguing style of playing guitar which I think would interest jazz musicians. He was finger-picking, playing a quick chord, then doing percussion on the side of the guitar, each in turn, to produce a wonderful lively evocative sound.
Jazz fans may want to try these free concerts next year. You never know, you may get to like folk music if you don’t already listen to it.
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About this blog - contact details.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
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