Total Pageviews

Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 30, 2010

Slice of Troyka followed by a cool glass of Mwamba/Kane/Blackmore - Schmazz @ The Cluny June 29.

Troyka
One very classy band full of surprises. Troyka base their trademark on a rich tapestry of textural subtle, dry wit kind of intelligence. Ooooozes of depth. I loved every second of what I caught towards the end of their set. Deserving 5 star owners. Somewhat a religious experience entirely.
Playful Blackmore (drms)
Empathic 'elder' Montague (gtr)
Keeping it together Downes (keys)
Corey Mwamba Trio
Corey Mwamba on, now let me get this right, vibraphone dulcimer electronics. How does he do it? When the head of his stick flies off over his head onto the stage doing a triple back twist and full bodied somersault you know either this guy is playing at full throttle or his sticks are genuinely having a ball and dancing on air at the thrill of it all. I've now seen such an instrument twice this year, which to me, I hope, signifies a new trend in this not oft seen stage art. A name to watch for. Bands take notice and have this artist in your band.
Dave Kane truly inspires us with his technique and emotive instrumental language. Quite beautiful to watch. Joyously communicating with Corey's sweet chimes with passion, and boyishly flirtatious at times, charm. He makes his bass speak ten kinds of languages in 20 different dialects and 100 kinds of emotions. That thing talks!
Joshua Blackmore intelligently listening as much as providing a rich backing just providing the right sense of rythmic tension. A genuinely talented artist I've come to admire in various bands. Every beat to this young chap means something, and he won't hit a beat if it isn't saying something. There's a point to every stroke and lick on the skins (you know what I mean).
Come back again but do a longer set, please.
Sarah Razvi.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance