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Bebop Spoken There

T-Bone Walker: "In fact, there's a girl out there in California in a hospital right now because I was playing a blues that affected her so much that she lost control of herself and started crying, and she stood up and fell over backwards and fell on another table and injured her spine. That's the way the blues affects some people." - (Down Beat October 15, 1942).

Steve Wilson: “I originally wanted to be a drummer, but changed course when I heard Eddie Harris and Rahsaan Roland Kirk and Cannonball Adderley live when I was 9 or 10.” – (Down Beat November 2014).

Bebop Spoken There Archives.

Today Friday November 21

Afternoon.
RENDEZVOUS JAZZ - Black Horse, Monkseaton. 1pm. Free.
Classic jazz.
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JOHN WILSON ORCHESTRA: Cole Porter in Hollywood - Sage Gateshead. 3pm/7.30pm. £28.50-£46.
Songs from the movies sung by, among others, Matthew Ford.
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Evening.
VASILIS XENOPOULOS w. PAUL EDIS TRIO - Opus 4 Jazz Club, Traveller's Rest, West Auckland Rd., Cockerton, Darlington. 8pm. £6.
One of my favourite tenor player - and your's too after you've heard him! With the Edis Aces fuelling the Greek Fire this is well worth the trip.
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UNFURL - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. £5 (£3 before 8.30pm.)
I'm reliably alerted to expect a "combination of Indian Ragas, contemporary jazz, flamenco and Arabic rhythms" so it sounds like an exotic evening is in store on Pink Lane.
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FUMI OKIJI OLD TIME JAZZ BAND - Edmondbyers Village Hall, Co. Durham DH8 9NL. 7.30pm. £7 (£4 child). 01807 255608.
Standards and jazz classics by band touring rural areas.
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JOHN WILSON ORCHESTRA: Cole Porter in Hollywood - Sage Gateshead. 3pm/7.30pm. £28.50-£46.
Songs from the movies sung by, among others, Matthew Ford.

Friday, March 20, 2009

The Music of Duke Ellington & Billy Strayhorn - Northern Sinfonia and Guests.

This was somewhat misleading to say the least. The guests actually comprised no less than the Guy Barker Orchestra, as well as Cleveland Watkiss, Brian Kellock and Tim Garland. The consensus in the bar area was that a lot more people would have elected to attend had they known Guy would have his band along- side the Sinfonia. However, there was a good crowd anyway which made me think that if just 10% of the audience made it to a local gig and paid 10% of tonight's ticket price then the scene would really be thriving! Never mind, back to the concert. Guy Barker took the rostrum and the Sinfonia, led by the impish Bradley Creswick, respectfully stood up, as did the jazz orchestra - after much coaxing and nudging.
Ellington's three part "Night Creature" got things underway and, as the sound of the symphonic strings engulfed me my immediate thought was that this is a superior film score. Then I realised the script had yet to be written that could match such a beautiful soundtrack.
Cleveland Watkiss sang "Lush Life" and "Caravan". He reminded me a little of Johnny Hartman without the richness although that could have been due to the sound system.
Brian Kellock, piano, came on and duetted with altoist Rosario Giuliani on "Chelsea Bridge". Guiliani had the unenviable role of Johnny Hodges and he was more convincing when he moved away from 'Rabbit's' shadow. Kellock played brilliantly.
"Harlem Suite" brought things to a powerful close with some fine trumpet from Byron Wallen and the 'longhairs' getting as close to swinging as they did all night.
During the interval, I chatted with former Newcastle Big Band Buddies Andy Hudson and Germaine Stanger and, in the absence of any photo opportunities in the hall, Jim McD took a shot of the three of us (I'm the guy in the middle under the hat - the other two are self explanatory).
The second half opened with "A Train" then Rosario did "Chelsea Bridge" on soprano and Tim Garland had the blast of the night on "UMMG" (Upper Manhattan Medical Group.) This was a quartet number with Brian Kellock on piano, Phil Donkin (bs) & Ralph Salmins (dms). Cleveland gave a melancholy take on "Daydream" before the grand finale - "Black, Brown and Beige" which may have lasted a little too long - but only a little!
All in all a very good concert with some spectacular highs and very few lows.
The audience loved it and applauded long and loud but no encore - what did they expect? The Sinfonia to busk "C Jam Blues"?
Just one niggling thought. What if, instead of the Sinfonia, they had hired another 41 jazz musicians? That really would have been a night to remember.
Lance

1 comment :

  1. For the record, the Guy Barker Jazz Orchestra: Barker (conductor),
    Rosario Giuliani, Graeme Blevins (alto), Tim Garland, Per (Texas), Johansson (ten), Phil Todd (bar).
    Nathan Bray, Tom Rees Roberts, Byron Wallen, Pat White (tpts).
    Mark Frost, Barnaby Dickinson, Alistair White (tmb). Jim Watson/Brian Kellock (pno). Phil Donkin (bs). Ralph Salmins (dms).

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
PS:I don't care what your political views are - you can love or hate Cameron, Clegg, Milliband, Farage, Genghis Khan or Julius Caesar - just don't air them here!
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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