Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,086 (and counting) posts since we started blogging 18 years ago. 950 of them this year alone and, so far this month (Nov. 7) 20.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Thu 12: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 12: JANE @ Brunswick Methodist Church, Newcastle. 2:00pm. £5.00.
Thu 12: MoonMot + Jack Banjo’s Snackwall @ Cobalt Studios, Newcastle. 7:00pm.
Thu 12: Ratio: Swingin’ Through the Decades @ The Forum, Darlington. 8:00pm (7:30pm doors). £10.00. A charity fundraiser.
Thu 12: Look Left @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Thu 12: Michael Woods @ The Black Swan, Newcastle. 7:30pm. Free (donations). Acoustic blues.

Fri 13: Giles Strong Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Giles Strong (guitar); Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 13: Lapwing Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00. Richard Herdman, Nick Bagnell, Paula Whitty.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. CANCELLED! Returns next week (Fri 20th).
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Northern Monkey Brass Band @ Hexham Lantern Parade, Bandstand, Sele, Hexham. 6:00pm. Free.
Fri 13: Sharp Collective @ Dry Water Arts, Amble. 7:00pm.
Fri 13: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 13: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. Tickets: £15.00 (inc. pie & peas

Sat 14: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. £95.00. Day 1/2. SOLD OUT!
Sat 14: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 14: Pete Tanton’s Chet Set @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20 (inc. bf); £11.00 concs (inc. bf).
Sat 14: Red Kites Jazz @ Staiths Café, Gateshead. 7:00pm.
Sat 14: Tweed River Jazz Band @ Tweed Gallery, Berwick. 7:30pm. Free.

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, July 28, 2026

Album review: Charles Lloyd, Zakir Hussain, Eric Harland - Sangam and Friends (Blue Note)

Charles Lloyd (tenor/alto sax, flute); Zakir Hussain (tabla, perc.); Eric Harland (drums, perc., tongue drum); Vijay Prakash (vocals); Sabir Kahn (sarangi); Rakesh Chaurasia (bansuri); Niladri Kumar (sitar); Ranjit Barot (keyboard)
.

Probably an acquired taste but not one I arrived at through veteran saxophonist Charles Lloyd, who I've never explored much, though his playing remains masterful despite his advanced years. My entrance came via the late great tabla master Zakir Hussain via his association with guitar pioneer John McLaughlin. 

It was by chance that I saw the original Mahavishnu Orchestra as an impressionable twelve year old in 1973, and while I'd moved on by the time he created Shakti, McLaughlin had left such an impression on me that I watched a South Bank Show devoted to his new band; a supergroup of Indian musicians which included Zakir Hussain. 

A decade later three of the original band would reunite to mark the fiftieth anniversary of the partition of India and Pakistan (I saw Ravi Shankar around the same time) and, while McLaughlin drew the most applause, this was the only occasion I've ever seen him blown off the stage, and I've maintained a close interest in the tabla maestro ever since. 

The first Sangam album was a live set recorded in Santa Barbara in 2004 and only features the three of them, though Lloyd and Harland each double on piano and Zakir adds an occasional voice. As the title suggests, the new album, from 2009, features additional musicians on the first two and last two of the seven tracks and - crucially - Vijay Prakesh on vocals. 

Further contrast is achieved by Lloyd switching between tenor, alto and flute, including playing saxophone and flute on three tracks, but the overall feel of the albums remains fluid and seamless. All the pieces were written by Lloyd except Jai Ganga credited to 'traditional', but it's the dynamics and interplay between the trio and the extended band which make the whole thing so compelling. 

If you've already acquired the taste or are sufficiently curious to investigate, I would recommend this album and the previous set - simply titled Sangam - equally, as well as perhaps Zakir Hussain's most accessible solo album Making Music, which features Norwegian saxophonist Jan Garbarek on sax, as well as John McLaughlin. Steve T

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