Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, September 25, 2025

Album review: David Kikoski Trio w. Randy Brecker - Weekend at Smalls (Cellar Music)

David Kikoski (piano); Joe Martin (bass); Billy Hart (drums); Randy Brecker (trumpet).

Nice, swingy, post bop by an ace trio along with Brecker who, on this showing, must surely be in poll position amongst today's trumpet hierarchy. The ideas flow seemingly effortlessly  on all seven extended tracks and never more so than on his own, cleverly titled, There's a Mingus a Monk us. One of two Brecker originals, the other being Moontide an appealing ballad.

Apart from Monk's Straight no Chaser, the others are all by Kikoski and he proves to be as effective a composer as he is a pianist. Kikoski and Brecker's association go back to 1986 when they were on Joe Henderson's In the Idiom.

Billy Hart, one of the all-time drum legends still standing, and Kikoski go back to 1987 when they were on Ralph Moore's 623 C Street although Hart, who  is 20 years older than the pianist, goes back much further. His recording debut was with Wes Montgomery in 1961. He works out on Cecilia.

Martin is a new name to me but one to reckon with in bass circles. He has several solos and they sound great. His solo on Moontide is close to perfection - maybe closer.

This is as good as it gets. Lance

Winney's Garden; Shadow; There's a Mingus a Monk us; Presage; Straight no Chaser; Moontide; Cecilia

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