Bebop Spoken There

Jools Holland (on his 2026 spring/summer tour): ''With the mighty [R&B] Orchestra, our wonderful boogie woogie singers, and the brilliant Joe Webb opening the shows [including Darlington Hippodrome, June 19], we're in for some very special evenings of music.'' The Northern Echo February 5, 2026

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18263 (and counting) posts since we started blogging 18 years ago. 117 of them this year alone and, so far this month (Feb. 6), 17

From This Moment On ...

February

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. St Thomas & Bésame Mucho. Enrol at: learning@jazz.coop.
Sat 07: Side Cafe Oᴙkestar @ Café Under the Spire, Gateshead. 6:30pm. Table reservations: 0191 477 3970.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington.. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 12: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 13: Noel Dennis Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00. Dennis (trumpet, flugelhorn); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 13: Joe Steels @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 13: Lindsay Hannon: Tom Waits for No Man @ Arc, Stockton. 8:00pm.
Fri 13: Tom Remon & John Moriarty @ The Ship Isis, Silksworth Row, Sunderland SR1 3QJ. 7:00pm. £10.00 + £1.00 bf.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, August 01, 2024

Press release: Tommy Smith performs in sax and art spectacular at the Edinburgh Fringe

Credit Tommy Smith

Tommy Smith performs in sax and art spectacular at the Edinburgh Fringe

Saxophonist Tommy Smith reunites with the internationally acclaimed artist Maria Rud in their Luminescence show at St Giles's Cathedral in Edinburgh from Thursday 15th to Saturday 17th August.

Marking the Cathedral's 900th anniversary, Luminescence is part of the Edinburgh Festival Fringe and will see Smith and Rud conversing in their respective artforms, with Rud's painted images projected onto the magnificent stained-glass window on the East Wall inside the church.

“We’ll begin each performance with no preconceptions of the direction the narrative will take,” says Smith. “Maria and I are both aware of aspects of the Cathedral’s history and of the legend of St Giles himself, but we won’t have them in mind during the performance. I'll start to play and Maria will respond by painting whatever the sounds I make suggest to her.”

Smith and Rud have now worked together several times. The artist painted live in response to the Scottish National Jazz Orchestra’s Where Rivers Meet online celebration of saxophone pioneers Albert Ayler, Anthony Braxton, Ornette Coleman and Dewey Redman, which Smith directed and featured in. They have also performed Luminescence in St Giles’ Cathedral previously, including a run of dates last August, when The Scotsman described their performance as “one of the most spectacular experiences of the Fringe”.

Smith, who has played solo in cathedrals and churches across the UK, is full of enthusiasm for St Giles' acoustics and feels that solo saxophone is the perfect instrument for the space. 

“I’ve played solo concerts where I've concentrated on mostly well-known melodies but Luminescence, being completely spontaneous, is different," he says. "Although I’m playing solo, I’m composing in the moment and I can see that Maria's reacting to me, and I'm reacting to her rhythmically."

St Giles’ Cathedral has been at the centre of events throughout history, including the Scottish Reformation in the sixteenth century. As well as being a working church, it is an important centre for civic services and in September 2022 it was the scene of Queen Elizabeth’s lying in state before her funeral in London.

“As a boy growing up in Edinburgh, I was always aware of St Giles’, although mostly from a distance,” says Smith. “It’s a big, awesome space inside, with wonderful architecture and an amazing stillness. We find inspiration from just being there, so it's a new experience every time for us.”

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