Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Tuesday, October 25, 2022

Spontaneous saxophone music and live art combine in St Giles’ Cathedral

 (© Derek Clark)

(Press release)

Saxophonist Tommy Smith and Edinburgh-based Russian artist Maria Rud unite to present Luminescence in St Giles’ Cathedral in Edinburgh on Friday 18th November.

A new project bringing together aural and visual improvisation, Luminescence will be created spontaneously in front of the audience as Smith and Rud respond to each other’s ideas and interact with the architecture and acoustics of the twelfth century cathedral.

“Images come to me with music,” says Rud, who has collaborated in the past with percussion virtuoso Evelyn Glennie and the Scottish National Jazz Orchestra. “It is not a single image or a collection of images, but a live "storyboard" in which music plays the role of a script.”

(© Douglas Robertson)
Rud, who was born in Moscow to a Ukrainian mother, sees St Giles’ as the co-creator of the show as her images will be projected onto the East Wall of the church. Smith will also interact with the cathedral’s natural acoustics.

“This gives Luminescence a unique quality as by projecting art onto a particular building’s architecture we can never create the same show twice,” says Rud.

Rud and Smith met at a reception in the National Museum of Scotland and after conversing for a few minutes they agreed that they should work together at some point. They first collaborated when Smith, the founding director of the Scottish National Jazz Orchestra, invited Rud to create images in response to the Orchestra’s dedications to saxophone pioneers including Albert Ayler and Ornette Coleman in their Where Rivers Meet concert series in May 2021.

“These were arranged suites and the performance had to be streamed as we were still under Covid regulations,” says Smith. “So, although there was improvisation in Where Rivers Meet, Luminescence will be quite a different experience as Maria and I will both be starting with a blank canvas, as it were. We’ll also have the added inspiration of working in front of a live audience.”

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