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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Tuesday, September 27, 2022

Lewis Watson Quartet @ Blaydon Jazz Club - Sept. 26

(© Roly Veitch)
Lewis Watson (tenor sax, soprano sax); Mark Williams (guitar); Mick Shoulder (double bass); John Bradford (drums)

A while ago Lewis Watson emerged from a long period of (musical) hibernation. The man hadn't been heard on a jazz stage for many a moon until he popped up at Newcastle's Lit & Phil. The word got out and, as quick as you like, all seats were snapped up. Prior to the down beat, BSH Editor-in-Chief LL wondered if King Lewis could retain his crown. The opening bars of the first number dispelled any such doubts, the man was back! Fast forward a few months to an autumnal Monday evening, the nights drawing in, the temptation of England v Germany on the telly, would anyone make the effort to get along to Blaydon Jazz Club to hear King Lewis? 

(© Roly Veitch)
You bet they would! They came out of the woodwork for this one. Watson's now settled line-up - guitarist Mark Williams, bassist Mick Shoulder and drummer John Bradford - tore into Wayne Shorter's Yes or No. Tenor saxophone playing of the highest order: commanding, majestic, flowing...pretenders, contenders, get outta here! Messrs Williams, Shoulder and Bradford played their socks off, one sensed they knew this was something special. There was Trane (The Promise) with Watson on soprano, there was Jerry Bergonzi (Optimum Propensity), Joe Henderson (Inner Urge), George Adams (Autumn Song) and more Trane with a superb take on Liberia. And then there was Lewis Watson, simply magnificent.  

(© Roly Veitch)
From time to time a newspaper or magazine will run an article along the lines of: 100 things you must do before you die...Forget that, if there's one thing you must do, it's to hear Lewis Watson in full flight. It's one of the wonders of the world. Russell  

1 comment :

Nigel Pownceby said...

I went to this gig with two non-jazz listeners (I'm sure they'd agree), and we sat enthralled just inches from the bell of LW's sax as he poured out more ... well, "soul" ... into this set than I've experienced in a long time from a single musician.
The supporting musicians provided everything (& a good deal more) that a leader could wish for, but it was Watson's performance throughout that left me wondering how on earth it was that I could be encountering it for the first time; has this fella already done with international touring and week long residencies in the capital? - because that was the quality level on offer, to my humble ears at least!
A perfect gig for a small venue too as the intimacy really seemed to enrich the connection between the musicians, their art and the audience.
Big shout out for Blaydon Jazz Club - great to see it so well supported last Monday.

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