Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, September 23, 2022

Album review: Raph Clarkson's Dissolute Society - This is How we Grow.

I've taken the easy way out and posted the press release. The easy way out? Yes. A cop out? Most certainly not. Truth is, I couldn't improve on the PR. It may be a sales pitch, as all press releases are, but after listening to the album that is released early next month (Oct. 7), it deserves all the kind words in the huckster's spiel. The merging of the children's voices with the seasoned musicians works so beautifully well and the solos are so attuned to the mood. Incidentally, talking of soloists, Laura Jurd, who plays so brilliantly here, can also be heard at Sage Gateshead this coming Wednesday (Sept. 28).

(Press release)

October 2022 will see the release of ‘This Is How We Grow’, the new album from pioneering collective Dissolute Society, led by trombonist, improviser, composer and educator Raph Clarkson.

Dissolute Society explores Raph Clarkson’s interests in contemporary improvisation, European jazz, 20th century classical music, poetry, spoken word, song, and soulful grooves. These varied elements are brought together through a highly personal and expressive narrative, exploring themes of family history, grief, friendship and hope.

 

This Is How We Grow is a genuinely unique body of work that features children’s voices on every track, combined with the distinct compositional styles of Raph Clarkson and his collaborators in Dissolute Society. The result is a refreshingly original album infused with both energy and innocence, bound to fuel the imagination of young children, aspiring musicians and seasoned creatives alike.

 

Having lent his expertise to a the work of many different collaborators including Laura Jurd’s ‘Stepping Back/Jumping In’ album, Chris Dowding and Rob Milne's ‘Holding Hands’ as well as Dan Samsa's ‘Contours’, Raph Clarkson is clearly a musician and creative figure that is very much in demand. On This Is How We Grow, Raph Clarkson teams up with Laura Jurd, Simon Roth and Fini Bearman – the album also features various special guests including Mark Lockheart and John Parricelli. All of these collaborators are well-established musicians in their own right and leading figures on the jazz scene, each adding their own inimitable enhancements to the project.

 

As well as the strong jazz credentials of the aforementioned group, the experimental nature of Dissolute Societies’ music includes numerous sounds and concepts that allow them to widen their scope to explore alternative genres. The prog-rock influenced guitar on the track ‘Please!’ and the classical / choral themes on the song ‘Ada Lovelace’ are just two examples of many different approaches to their art that exist across the album as a whole.

 

As a musical educator, Raph Clarkson is involved in diverse community and learning & participation projects, including extensive work with young people with additional needs and adverse childhood experiences. Speaking about the album Raph says: “My contention is that music making with young people / communities should be taken seriously as ‘mainstage’ artistic work. This is one reason I’ve made this album, to bring together varied parts of my practice and show that young voices are to be taken deeply seriously in terms of what they express and what they teach us.”

 

This Is How We Grow is an undoubtedly inspirational and unique project that will touch the hearts of many.

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