Album review: Duke Ellington Live at the Berlin Jazz Festival 1969-1973 - The Lost Recordings

Duke Ellington (piano); Joe Benjamin (bass); Quinten 'Rocky' White Jr. (drums); Harold 'Money' Johnson (trumpet); Paul Gonsalves (tenor sax); Harry Carney (baritone sax/clarinet). Rec. Nov. 2, 1973. 

Cat Anderson, Cootie Williams, Mercer Ellington (trumpets); Lawrence Brown?? (trombones); Johnny Hodges, Russell Procope (alto sax); Paul Gonsalves, Harold Ashby (tenor sax); Harry Carney (baritone sax); Duke Ellington (piano); Wild Bill Davis (organ); Rufus Jones (drums), Baby Lawrence (tap dancing). Rec. Nov. 8, 1969.

The personnel in the booklet is incomplete. Based on my recollections of seeing both houses of Ellington's 70th Birthday Concert on Nov. 27, 1969 at Newcastle City Hall I think I can safely add Chuck Connors (trombone), Norris Turney (alto sax), Victor Gaskin (bass) and possibly, Rolf Ericsson (trumpet). The notes are in French, German and English and, because of the lack of visual contrast between text and background are almost indecipherable - will they never learn?

However, it's the music that counts so, unlike the producers, I'll treat the album chronologically and start with the full orchestra on track 7.

La Plus Belle Africaine; El Gato; I Can't Get Started; Caravan; Mood Indigo; Satin Doll; Meditation. 

Wild Bill Davis plays Hammond on Satin Doll, and Cat Anderson takes it out way up high. He does likewise on his party piece El Gato. Nice trumpet feature on I Can't Get Started by (Mercer, Rolf, Cootie?). Caravan, Mood Indigo and Meditation follow. The latter piece is from an Ellington Sacred Concert which prompts me to mention that if you happen to be in York next Wednesday (June 29) then pop into The Minster to hear the Clark Tracey Orchestra playing Ellington's Sacred Concert starting at 5:30pm.

Meanwhile, back at the Berlin Philharmonie in 1973, Duke appears with a sextet opening with a delightful piano feature - Piano Improvisation No 1. Pitter, Patter, Panther has Joe Benjamin paying tribute to the first great bassist Jimmy Blanton. Money Johnson solos on Take the A Train, Carney steps up for a luscious version of Sophisticated Lady, and Baby Lawrence takes us out with some tap dancing expertly accompanied by piano and bass.

I'm not going to pretend that this is indispensable Ellington. There is so much great Ellington available - most of which is better packaged - that only the completist will crawl over burning sand for it. Nevertheless, it's well worth checking out - Lance

Available July 1 via usual suspects.