Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Saturday, April 23, 2022

Lewis Watson Quartet @ Opus 4 Jazz Club, Darlington - April 22

Lewis Watson (tenor sax); Mark Williams (guitar); Mick Shoulder (double bass); John Bradford (drums)

A second appearance of the day by Lewis Watson. Earlier, in reviewing tenor saxophonist Watson's lunchtime concert in Newcastle, BSH Editor-in-Chief LL opted to mix sporting metaphors - citing heavyweight boxing champ Sonny Liston and footballer Cristiano Ronaldo - to describe/review the rarely-spotted Watson's performance. Forget Ronaldo, this was George Best. The Manchester United legend retired at the age of 26 (tennis legend Bjorn Borg did the same thing). We hadn't seen or heard from Lewis Watson for quite some time (pre-pandemic) and this double-header of a day marked something of a comeback.

As at the Lit & Phil in Newcastle, here at the Traveller's Rest in Cockerton, Darlington, Watson opened with Trane's Liberia. In good fettle and in great form, we should treasure the return of this most majestic of tenor saxophonists. Watson's team mates - Mark Williams, Mick Shoulder and John Bradford - were more than up to the job as Best, sorry, Watson, weaved, dream-like, through the changes. Jerry Bergonzi's Optimum Propensity challenged the quartet here at Opus 4 Jazz Club, all four musicians played a blinder. El Gaucho, a magical Beatrice (Watson has had Sam Rivers' tune in his pad for years and years), then a departure from the Lit & Phil set list with a take on Steve Swallow's Eiderdown. 

Understandably, Lewis Watson the tenor player likes his tenor players. Earlier, Sam Rivers, now, into the second set of the evening, Joe Henderson and Recorda Me. Appreciative of his team mates (and perhaps looking for a breather), Watson momentarily left the stage to listen to the trio play I Should Care (Mark Williams has been known to say of the Axel Stordahl/Paul Weston composition: Great tune!). The trio has been known to gig as a working unit. Excellent. 

Returning to the stage, Watson and the boys revisited Everything Happens to Me, drummer John Bradford's use of brushes an example of how it can be done - a listening ear, a sympathetic ear. And before we knew it, time for one more. Wayne Shorter's Yes or No. Wow! The power, the dynamics, the total command of his instrument, make no mistake, Lewis Watson is back! Watch this space, it's likely we'll be hearing more from L Watson, tenor saxophonist. Russell
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