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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Conor Emery: Jazz Trombone, Stage 3 Final Recital @ Music Studios, Assembly Lane, Newcastle University. 7:00pm. All welcome, the venue is located in the lane behind Blackwell’s, Percy St., Haymarket.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 09: Lewis Watson Quartet + Langdale Youth Jazz Ensemble @ Laurel’s Theatre, Whitley Bay. 8:00pm. £10.00.
Thu 09: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (sax); Neil Brodie (trumpet); Dave Archbold (keys); Ron Smith (bass).

Fri 10: Michael Woods @ Lit & Phil, Newcastle. 1:00pm. Free. Country blues guitar & vocals. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Citrus @ The Head of Steam, Newcastle. 7:00pm. £11.25.
Fri 10: Zoë Gilby Quartet @ St Cuthbert’s, Crook. 7:30pm. £10.00.

Sat 11: Jeffrey Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 11: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 11: Milne-Glendinning Band @ Yarm Parish Church. 7:30pm.
Sat 11: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 12: GoGo Penguin @ Wylam Brewery, Newcastle. 7:00pm (doors). All standing gig.
Sun 12: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. Downstairs. A ‘Jar on the Bar’ gig.
Sun 12: Satin Beige @ Prohibition Bar, Newcastle. 8:00pm. £7.50 + bf. Upstairs. R&B cello & vocals
Sun 12: Fergus McCreadie Trio @ The Glasshouse, Gateshead. 8:00pm. £19.80.
Sun 12: Schmid/Wheatley/Prévost + Signe Emmeluth @ The Globe, Newcastle. 8:00pm. JNE.

Mon 13: Emma Fisk & James Birkett @ Yamaha Music School, Blyth. 1:00pm. £8.00.

Tue 14: ???

Monday, January 18, 2021

Ivo Neame: Live stream from Ronnie Scott's - Jan. 18

Ivo Neame (piano); George Crowley (tenor sax); Tom Farmer (bass); James Maddren (drums).

(Screenshots by Ken Drew).

I'd convinced myself I wasn't going to like this latest live stream from Ronnie's so I approached it with a degree of trepidation.

I hold my hand up and admit that I was wrong to have doubts!

I should have known better. Neame is a fine pianist, composer and raconteur.

As the blurb says: Ivo Neame who's music is an exploration of contrast and represents an ongoing quest to house multiple styles and influences under one roof. This varied mix of sonic landscapes springs from a desire to find emotional resonances with audiences in as many ways as possible. The styles of the pieces range from serene, calm and reflective atmospheres to intense, high-octane poly-rhythmic grooves.

Which more or less sums it up apart from failing to mention Crowley's pre/post Coltrane solos that really raised the bar. He was on fire - best I've ever heard him!

The other two weren't coasting either!

I didn't log the titles. It didn't matter, what was important was the rendition and those numbers were well and truly rendered!

Lance

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