Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 07: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:30pm. Free.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence (piano); Paul Grainger (double bass); John Bradford (drums).
Tue 07: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 08: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Abbie Finn Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 09: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 09: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 09: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Thursday, July 02, 2026

Nicole Zuraitis @ Ronnie Scott’s: Songs, Stories and the Spirit of Ronnie Scott – June 30

Nicole Zuraitis (vocals, piano); Idan Morim (guitars); Sam Weber (double bass); Dan Pugach (drums)

There is something rather special about Frith Street on a summer's evening. The conversations spill out onto the pavement, taxis edge their way through Soho, the scent of restaurants drifts through the warm air, and beneath the famous red neon sign of Ronnie Scott’s, people gather with that unmistakable sense of anticipation that only this remarkable club seems able to create. Long before the house lights dim, the performance has already begun.

Inside, little has changed in the qualities that have made Ronnie Scott’s one of the world’s great jazz rooms. The lighting is warm rather than theatrical, wrapping the musicians in soft amber tones while allowing the audience to retreat into gentle shadow. The intimacy remains extraordinary. Every table feels connected to the stage, and the sound is, quite simply, among the finest you will hear anywhere. Every lyric, every brush stroke across the snare drum, every harmonic nuance from the guitar arrives with remarkable clarity. For an artist whose songs depend so heavily on language and storytelling, there could hardly be a better setting.

Album review: Hannah Gill - I Like the Sunrise (Turtle Bay Records)

Hannah Gill (vocal); Luis Salcedo (guitar); Phil Ambuel (bass); Adam Ray (drums) + Ricky Alexander (tenor sax )

Ostensibly a tribute to Duke Ellington - indeed ten of the eleven tunes do have Duke's name among the credits -  the Ellington mood is ever present, even on the the only non Ducal number: So Far, So Good

So Far, So Good is in fact the opening track setting the scene for the delights to follow, one of which is I Ain't Got Nothin' But the Blues. Both have gutsy tenor solos  and Gill is in fine voice as we've come to expect from her previous three albums on the Turtle Bay label.

Love You Madly always reminds me of the first time I heard Duke address the audience at Newcastle Odeon in 1958. The song came later. Hannah does it justice and, along with tenor and guitar, returns the sentiments of the title.  

My Montreux Years

© Colin Muirhead
July 2026 sees the 60th edition of one of the world’s most popular festivals for jazz – and indeed for music in general: the Montreux Jazz Festival in Switzerland.  When Claude Nobs founded the festival back in 1967, he could never have imagined that musicians from across the world would still be travelling en masse to the tranquil shores of Lake Geneva nearly 60 years later.  And for those of us living in north east England, there is an added gloss this year with the debut appearance at the festival of local band Knats.

My relationship with the Montreux Jazz Festival started back in 1995.  At that time I was still getting into jazz, having started listening to it on the radio whilst working in the US in the early 1990s.  After returning to the UK, I wanted to discover more about jazz and decided to kill two birds with one stone: by having a relaxing holiday overseas and attending a jazz festival at the same time.  And where better to do so than in Montreux?

Wednesday, July 01, 2026

Press release: Jazz North announces the latest round of New Northern: a grassroots & independent promoter bursary, to support live emerging talent.

Northern jazz promoters are invited to apply for bursaries up to £1,000 to programme emerging northern talent and support acts

For this round only, Jazz North will allocate a limited number of higher bursaries of up to £3,000 for Northern jazz festivals 


New Northern is Jazz North’s promoter bursary to support live emerging talent. It supports promoters to programme emerging northern artists by underwriting risk and helping pay essential costs. 


Designed both to support emerging artists in the north and give an injection of cash to promoters who need it, this easy-access scheme offers a quick intervention to northern grassroots promoters facing difficult financial circumstances. 

Stockport Jazz

This week Stockport Jazz welcomes Boplicity, a versatile jazz octet led by saxophonist Mike Hall featuring a five-horn front line alongside guitar, double bass, and drums : 

Phil Nicholas (trumpet); Simon Lodge (trombone); Helena Summerfield (alto saxophone/ clarinet/ flute); Mike Hall (tenor saxophone/ clarinet); Debbie Hall (baritone saxophone); Andy Hulme (guitar); Tim Williams (double bass); Eryl Roberts (drums)


Sunday 5th July 2026


8-10pm, doors open at 7.30pm

£5 entry on the door, all welcome


The Moor Club, 35 Heaton Moor Road, Stockport SK4 4PB  (next to the Elizabethan PH)

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