Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18721 (and counting) posts since we started blogging 18 years ago. 585 of them this year alone and, so far this month (July 18) 49

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free. CANCELLED!
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Bright Street Big Band @ Sandhaven Amphitheatre, South Shields. 3.30-5.30pm.
Sun 26: Jo Harrop & Jamie McCredie @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.
Sun 26: King Bees @ Luckies, Jesmond, Newcastle. 8:00pm. Free. Chicago blues.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Liam & Shayo @ Newcastle Arts Centre. 7:30pm. Free. Liam Oliver (guitar), Shayo Oshodi (vocals).

Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event

Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes. .

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).

August

Sat 01: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 1/2.
Sat 01: Jim Wright’s Rhythm Deluxe @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 01: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 01: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival. 1/2.
Sat 01: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: The Swing Commanders @ The Amphitheatre, Stockton. 9:00-10:30pm. Free. Stockton International Riverside Festival.

Monday, January 21, 2019

Sounds from The Underground in The Victoria Tunnel – January 19

Zoë Gilby(vocals) & Andy Champion (double bass)
(Review by Steve H/photos courtesy of Ken Drew)

There are not many gigs that one goes to where you have to don a hard hat on entering the auditorium. It may be understandable for heavy metal or hard rock but for an improvised double bass and vocal performance what could possibly be going on? The answer was completely logical as the duo in question were performing in Newcastle’s Victoria Tunnel.

The tunnel, built in the 19th Century, runs from the Town Moor to the Quayside which enabled coal from the Leazes Main Colliery in Spital Tongues to be delivered to ships waiting on the banks of the Tyne.
Saturday night’s performance took place in the section of the tunnel just inside the entrance behind the Hotel Du Vin.  A truly unique setting for the hard-hatted audience of around 30, sat in pairs in the narrow tunnel to the right of the entrance slope.  Zoë and Andy were in the section of the tunnel to the left of the slope thus enabling the audience to observe the performers with a spectacular view of the tunnel receding into the distance behind them. Just to emphasise how tight things were, the top of Andy’s double bass was within an inch of touching the ceiling of the tunnel. 

After receiving the health and safety instructions from the tunnel volunteers we awaited the first number. Would it be Going Underground by The Jam or maybe something by John Coaltrain?  In fact, a perfect choice of a Tom Waits song Way Down in the Hole got things off to a flying start. Covers by various modern artists including Kate Bush (Kashka from Baghdad), Paul Simon (Graceland) and, obviously, Nick Cave (Red Right Hand) were delivered with considerable aplomb in Zoë and Andy’s inimitable style. There was also a version of Nice Work if You Can Get it in which Zoë very cleverly scatted a brief a history of the tunnel.

The duo finished with an original - The Tunnel - which was inspired by a jam session that they had participated in which had taken place in a disused railway tunnel in Transylvania.  
    
I was actually quite surprised how good the acoustics were in this rather novel subterranean location. You were really able to soak in Zoë’s great vocals and Andy’s virtuoso bass playing in what must have been an extremely challenging location (cold, dark, cramped). Those who took the chance of experiencing a gig in this most unlikely of environments were certainly rewarded with this marvellously atmospheric, unique and entertaining performance.
Steve H.

No comments :

Blog Archive