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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Tue 30: Celebrate with Newcastle Jazz Co-op. 5:30-7:00pm. Free.
Tue 30: Swing Manouche @ Newcastle House Hotel, Rothbury. 7:30pm. A Coquetdale Jazz event.
Tue 30: Clark Tracey Quintet @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.

May

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: The Eight Words - A Jazz Suite @ Newcastle Cathedral, St Nicholas Square, Newcastle NE1 1PF. Tel: 0191 232 1939. 7:30pm. £20.00. (£17.00. student/under 18). Tim Boniface Quartet & Malcolm Guite (poet). Jazz & poetry: The Eight Words (St John Passion).
Thu 02: Funky Drummer @ The Globe, Newcastle. 8:00pm. Free.
Thu 02: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Wednesday, June 13, 2018

Another Man Done Gone - An appraisal by Ann Alex.

I wrote in a previous post of a blues song that I heard performed by one of the students at the Final Recitals of the Folk and Traditional Course which were held at Sage Gateshead.  After some research, I was amazed to discover that many singers, such as Johnny Cash and John Mayall, had recorded it, yet I’d never heard it before. The song was first collected by the famous folk and blues researcher, Alan Lomax, in the 19C. I simply just had to do one of my song appraisals, so here goes:-
Another Man Done Gone

Another man done gone
Another man done gone
Another man done gone
From the county farm
Another man done gone

I didn’t know his name x4
Another man done gone

He had a long chain on x4
Another man done gone

They killed another man x4

They set the dogs on him x3
Tore him limb from limb
Another man done gone

They killed another man x3
From the county farm
Another man done gone

YouTube has slightly different versions, and a singer could switch various lines for effect. For instance, verse 2 could simply have the 1st line repeated for the whole verse. Blues songs, like folk songs,  come in different versions. The power of this song comes from its seeming simplicity and the fact that the story is revealed gradually so that the listener is involved. If the singer is a woman, a listener may suppose that this is a song of lost love after hearing the 1st verse, but then the awful truth is revealed later. ‘I didn’t know his name’ suggests lots of men herded together in the chain gang. ‘He had a long chain on (internal rhyme) is more effective than saying ‘he was wearing a long chain.’
And here is a problem which a singer must sort out. Is it about a man dying through exhaustion or murder in a chain gang, or is he a slave killed by his owner, as suggested by ‘They set the dogs on him?’ It may be advisable to sing either one verse or the other, but not both, as I understand that the chain gangs came after slavery. Many ex-slaves actually ended up working in chain gangs after the official end of slavery.

The steady but relentless pulse of the beat imitates chain gang marching, so a steady drum accompaniment is effective. The repetition of the 1st verse at the end could be done quietly, or angrily, with loud drum beats. 
Truly a gem of a song, and so powerful.
Ann Alex.

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