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Bebop Spoken There

Jennifer Wharton: "People forget that the trombone is so glorious. It can be like going to church, or getting ready for battle. It can be a lot of things....For a longtime I was the only female trombonist in New York," - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

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13,218 (and counting) posts since we started blogging 13 years ago. 637 of them this year alone and, so far, 45 this month (May 11).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

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May 13: Vieux Carré Jazzmen at The Holystone (weather, unfortunately, not permitting). CANCELLED!

May 20: Vieux Carré Jazzmen at The Holystone (Indoors!)
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Friday, January 22, 2016

Rudimentary, Ms Evans

(Review by Russell).
Gateshead Jazz Appreciation Society’s most recent meeting at Gateshead Central Library heard Jenny Evans explain the rudiments of Western musical composition with reference to jazz and other genres. Newcastle College lecturer Evans made the argument that Elvis, Mozart and jazz artists were, essentially, using the same building blocks to compose, and with specific reference to jazz, improvise.  Three chords and the pentatonic scale were an essential prerequisite to understanding, and creating, a musical masterpiece.
Jenny Evans’ entertaining talk, illustrated at the keyboard, required the dreaded ‘audience participation’ element that makes some look for the exit! Excuse me, I’ve left the gas on.. The task at hand was to write down a series of chords, hand it to teacher, and hear the left hand scale work with a right hand pentatonic melody. Evans caught sight – Excuse me, I forgot it’s – and seized upon, your correspondent’s scribbling – the cat’s funeral…
Well, Ms Evans is a talented sort. Looking at the (hopefully) illegible scrawl she played it as the composer intended! The piece opened:     

C E G A D
A G C E D
D C E G A
G D E C A

The result was a ragime (ish) masterwork! The Society’s regulars thanked Ms Evans for a most entertaining presentation. Your correspondent dashed off to a gig (a corker of a gig; Don Forbes and the boys at the Jazz Co-op playing ‘Modern’ jazz as it should be played), then back to the garret  to work late into the night on that next masterpiece.   
Russell.              

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