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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Monday October 16

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Evening.

Glowrogues - Ernest, 1 Boyd Street, Newcastle NE2 1AP. Tel: 0191 260 5216. 8:00pm. £5.00. Jazz, funk, hip-hop seven-piece band featuring musicians from Birmingham & Manchester including members of Beats & Pieces Big Band. Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums).

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, January 22, 2016

Rudimentary, Ms Evans

(Review by Russell).
Gateshead Jazz Appreciation Society’s most recent meeting at Gateshead Central Library heard Jenny Evans explain the rudiments of Western musical composition with reference to jazz and other genres. Newcastle College lecturer Evans made the argument that Elvis, Mozart and jazz artists were, essentially, using the same building blocks to compose, and with specific reference to jazz, improvise.  Three chords and the pentatonic scale were an essential prerequisite to understanding, and creating, a musical masterpiece.
Jenny Evans’ entertaining talk, illustrated at the keyboard, required the dreaded ‘audience participation’ element that makes some look for the exit! Excuse me, I’ve left the gas on.. The task at hand was to write down a series of chords, hand it to teacher, and hear the left hand scale work with a right hand pentatonic melody. Evans caught sight – Excuse me, I forgot it’s – and seized upon, your correspondent’s scribbling – the cat’s funeral…
Well, Ms Evans is a talented sort. Looking at the (hopefully) illegible scrawl she played it as the composer intended! The piece opened:     

C E G A D
A G C E D
D C E G A
G D E C A

The result was a ragime (ish) masterwork! The Society’s regulars thanked Ms Evans for a most entertaining presentation. Your correspondent dashed off to a gig (a corker of a gig; Don Forbes and the boys at the Jazz Co-op playing ‘Modern’ jazz as it should be played), then back to the garret  to work late into the night on that next masterpiece.   
Russell.              

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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