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Bebop Spoken There

Veronica Swift: "I don't want to call myself a jazz singer anymore. I'm a singer and a storyteller.'" - (JazzTimes, December 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13837 (and counting) posts since we started blogging 13 years ago. 56 of them this year alone and, so far, 56 this month (Jan. 16).

From This Moment On ...

January 2022

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 19: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 19: Four @ The Exchange, North Shields. 7:00pm.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 20: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 20: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 21: Emma Fisk & James Birkett @ The Lit & Phil, Newcastle. 1:00pm. POSTPONED!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 21: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 21: John Law @ Durham Cathedral. 7:30pm. £20.00. POSTPONED!
Fri 21: Dean Stockdale Quartet @ Traveller’s Rest, Darlington. 8:00pm. £8.00. Opus 4 Jazz Club.
Fri 21: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm.

Sat 22: East Coast Swing Band @ East Bedlington Community Centre. 7:30pm. £5.00.
Sat 22: MGB @ Prohibition Bar, Newcastle. 8:00pm. The Milne-Glendinning Band.

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio @ The Cluny, Newcastle. 8:00pm.

Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Friday, January 22, 2016

Rudimentary, Ms Evans

(Review by Russell).
Gateshead Jazz Appreciation Society’s most recent meeting at Gateshead Central Library heard Jenny Evans explain the rudiments of Western musical composition with reference to jazz and other genres. Newcastle College lecturer Evans made the argument that Elvis, Mozart and jazz artists were, essentially, using the same building blocks to compose, and with specific reference to jazz, improvise.  Three chords and the pentatonic scale were an essential prerequisite to understanding, and creating, a musical masterpiece.
Jenny Evans’ entertaining talk, illustrated at the keyboard, required the dreaded ‘audience participation’ element that makes some look for the exit! Excuse me, I’ve left the gas on.. The task at hand was to write down a series of chords, hand it to teacher, and hear the left hand scale work with a right hand pentatonic melody. Evans caught sight – Excuse me, I forgot it’s – and seized upon, your correspondent’s scribbling – the cat’s funeral…
Well, Ms Evans is a talented sort. Looking at the (hopefully) illegible scrawl she played it as the composer intended! The piece opened:     

C E G A D
A G C E D
D C E G A
G D E C A

The result was a ragime (ish) masterwork! The Society’s regulars thanked Ms Evans for a most entertaining presentation. Your correspondent dashed off to a gig (a corker of a gig; Don Forbes and the boys at the Jazz Co-op playing ‘Modern’ jazz as it should be played), then back to the garret  to work late into the night on that next masterpiece.   
Russell.              

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