Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, January 22, 2016

Jamie Mackay @ St Nicholas Cathedral. Newcastle. Jan 22

Jamie Mackay (guitar)
(Review by Russell)
Sage Gateshead BMus student Jamie Mackay brought along his Telecaster to sit in front of the altar to play a few improvisations. Billing the recital as ‘fusion guitar’ could have deterred some with visions/nightmares of searing seventies pyrotechnics. Thankfully, it wasn’t anything of the sort.
Citing the quiet simplicity of Jeff Buckley and the harmonic intricacies of Bill Evans and Charlie Hunter as influences, Mackay played five pieces during a half hour set. Titles not important (some pieces probably didn’t have one), the performance focused upon the feel generated in St Nicholas’ imposing space. 
The cathedral-like dimensions (pun intended), the attentive few in the pews and the serene atmosphere encouraged Mackay to play with the amazing acoustics of the place. Finger style, no sign of a plectrum, Mackay fused the blues with gospel, an Eastern vibe with flamenco, to small group jazz guitar playing.
Tone and volume control were impeccable, Mackay’s keen ear tuned to his surroundings. This ‘lite bite’ lunchtime recital was a jazz delight. Jamie Mackay can be seen around and about checking out who’s who on the scene. It’s about time the talented Mackay played a proper gig in a proper jazz joint, the kind he referred to as having low ceilings and sticky floors. Promoters of the world…okay, we’ll start with promoters in Newcastle…it’s time to check out Jamie Mackay.                       
Russell.

1 comment :

Jamie Mackay said...

Cheers Russell! This made my day! Especially as I read this before a money gig in the bigg market in Friday night!! Haha Put me in a great mood, thanks it means a lot! PS tried to find you on social media to private message a thank you, but failed

Blog Archive