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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, January 22, 2016

Jazz Co-op @ The Globe: The Safe Sextet - January 21

Don Forbes (trumpet); John Rowland (ten sax); Paul Gowland (alto sax); Alan Law (piano); Paul Grainger (bass); Paul Wight (drums).
(Review by Ann Alex)
The band gave another of their stellar performances to a small but appreciative audience.  Enough said? No, Blogmaster Lance and the reputation of BSH demands much more of a review. Here goes.
Even the warm up cum sound check was fun, at least for the listener.  Much discussion about how many times to play the head for The Bridge, then a quick play through of an eastern-sounding tune, which I don’t think was played during the set, but I could be mistaken about that.
Don explained that they would play lots of Stan Tracy, including tunes from Under Milk Wood , and also numbers originally done by EmCee 5. The Bridge was written about the pub near the High Level Bridge, a good solid four square tune with useful silences and tenor, trumpet and piano solos; Downbeat After Dark reminded Don of when he was 17 and returning from nights out and the tune suitably moves down the scale to end quietly with the alto sax, clever stuff. The One That Got Away may refer to a drummer who escaped from a band and was a fast furious piece of many notes and an Ian Carr solo taken straight from the CD.  Penpals from Under Milk Wood was trumpet led, flowingly romantic, and I Lost My Specs In Nantucket weaved about neatly with a distinctly Monkish feel. Dobson’s Choice was another four square tune to round off the first set.
The second set opened with No Good Boyo and Under Milk Wood, the latter, a favourite of mine, slow, meditative, atmospheric, drums using brushes and light cymbals, horns in harmony, piano at the end.  Then a Scottish influenced Emcee5 number, Bell Blues (bluebells, get it?) military drumming, Scottish riffs on the horns, gradually showing more jazzy influences, low Scottish chords on the piano. There followed Stephenson’s Rocket with a Latin influence; John O’ Groats, the final tune in which no holds were barred, and an encore, on demand, a tricksy tune whose name I didn’t catch, too busy dressing for the metro journey.
Too many good solos to single anyone out and the set was well outlined by Don.  If you weren’t there you missed a treat.
Ann Alex

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