Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Friday, January 22, 2016

Jazz Co-op @ The Globe: The Safe Sextet - January 21

Don Forbes (trumpet); John Rowland (ten sax); Paul Gowland (alto sax); Alan Law (piano); Paul Grainger (bass); Paul Wight (drums).
(Review by Ann Alex)
The band gave another of their stellar performances to a small but appreciative audience.  Enough said? No, Blogmaster Lance and the reputation of BSH demands much more of a review. Here goes.
Even the warm up cum sound check was fun, at least for the listener.  Much discussion about how many times to play the head for The Bridge, then a quick play through of an eastern-sounding tune, which I don’t think was played during the set, but I could be mistaken about that.
Don explained that they would play lots of Stan Tracy, including tunes from Under Milk Wood , and also numbers originally done by EmCee 5. The Bridge was written about the pub near the High Level Bridge, a good solid four square tune with useful silences and tenor, trumpet and piano solos; Downbeat After Dark reminded Don of when he was 17 and returning from nights out and the tune suitably moves down the scale to end quietly with the alto sax, clever stuff. The One That Got Away may refer to a drummer who escaped from a band and was a fast furious piece of many notes and an Ian Carr solo taken straight from the CD.  Penpals from Under Milk Wood was trumpet led, flowingly romantic, and I Lost My Specs In Nantucket weaved about neatly with a distinctly Monkish feel. Dobson’s Choice was another four square tune to round off the first set.
The second set opened with No Good Boyo and Under Milk Wood, the latter, a favourite of mine, slow, meditative, atmospheric, drums using brushes and light cymbals, horns in harmony, piano at the end.  Then a Scottish influenced Emcee5 number, Bell Blues (bluebells, get it?) military drumming, Scottish riffs on the horns, gradually showing more jazzy influences, low Scottish chords on the piano. There followed Stephenson’s Rocket with a Latin influence; John O’ Groats, the final tune in which no holds were barred, and an encore, on demand, a tricksy tune whose name I didn’t catch, too busy dressing for the metro journey.
Too many good solos to single anyone out and the set was well outlined by Don.  If you weren’t there you missed a treat.
Ann Alex

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