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Bebop Spoken There

Sting: "It was great. They [the River City Jazzmen] all wore blue suits. The band had been together for about twenty years, which was the same age as the suits." - (Melody Maker Sept. 22, 1979).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday October 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 3:00pm/5:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 29, 2015

Lindsay Hannon Plus: Jazz Cafe: June 27 - A ‘Women Make Music’ Schmazz presentation











Lindsay Hannon (vocals); Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Ann Alex/Photos courtesy of Ken Drew).
This proved to be a really good night of music-making. 
Starting with a few bars of just voice and bass, through to the final song, about falling in love with the idea of love, by way of loads of great solos from the band and Lindsay in fine voice this was a truly memorable session.  
The first set comprised songs from the band’s normal repertoire; the second set - new songs.
That normal repertoire included Joni Mitchell’s Old Fashioned Hat, a gentle interpretation with a bell-like guitar solo; Love Me Or Leave Me, sung in short fast phrases, and with a drum solo.  It’s good to have such a solo early in the set, drummers often get left until last, and Russ Morgan was well up to the challenge. A switch to bebop with In Walked Bud and a bass solo this time. A song by Elizabeth Corney about the love between two sisters, usually sung with Lindsay’s other band, Iceni (that band is also well worth a listen). Knopler’s Romeo And Juliet, - Lindsay's interpretation made it her own - and finally, Everybody Knows.
The surprise of the second set for me was some of the snippets Lindsay revealed of her life which were expertly woven into music and lyric, but that’s best heard from the lady herself.  The song which followed, Mornings, was about the feelings of a young girl in a mother and baby home on a rainy morning, and the whole band gave a wonderfully sensitive interpretation of this, a gentle brush on drums, a bleak sad tune, sensitive guitar, ‘it’s raining outside’. Indeed much of this set included songs penned by Lindsay, including (I think) a funky rocky number about waiting by the telephone for the call that never comes; and an amusing song with jungle drums and animalistic tones from the guitar.  There were skilled solos all round and Mark on guitar deserves special mention as his playing showed a superb understanding of what the singer portrayed in her songs.  Definitely one of the best guitarists around.
A very satisfying evening of music played to a near full house.
Ann Alex.
PS: Unfortunately, time and tide prevented me from staying for the jam session that followed but, judging by some of the well known faces with cases, it looked promising.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance