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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

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The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Tuesday, June 16, 2015

CD Review: Brian Landrus Trio - The Deep Below.

Brian Landrus (bar/bs sax/bs clt/bs fl); Lonnie Plaxico (bs); Billy Hart (dms).
(Review by Lance).
As the title and the above listing implies this is all about the bass. Not just the double bass, brilliantly played here  by Plaxico, but, in the main, Landrus' armory of lower pitched instruments.
Baritone sax on 6 tracks, bass clarinet on 5, bass flute on 2 and bass sax on 1. He excels on all although the bass saxophone seemed to pose the greatest challenge - he came through bloodied but unbowed.
On baritone Landrus is at his most dextrous, sailing unaccompanied through Giant Steps with Coltranic ease, albeit with scant attention to the melody, and, paying tribute to the first grandmaster of the baritone, Harry Carney, on Sophisticated Lady. On others he clearly demonstrates his individual approach such as the romantic feel to Sinatra's I'm a Fool to Want You - could it be interpreted any other way? With the exception of Giant Steps and The Age this is very much the intimate album Landrus sought to create. The clarinet and flute tracks are delicate and explorative with Plaxico adding to the darkness of the mood. Billy Hart - who wowed everyone at GIJF 2015 with The Cookers is more subdued here but adds greatly to the overall picture.
Landrus stands 6'7" - "Physically the instruments fit me" he says. Listening to this I'd say they were tailormade!
Available from June 16 on Blueland Records.
YouTube.
Lance.

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