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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, November 18, 2014

Scots recreate two classics – with strings attached

(Preview by Rob Adams)
Scottish saxophonist Paul Towndrow and trumpeter Ryan Quigley will recreate two historic recordings in concert on Thursday, November 27 when they perform the music from Charlie Parker with Strings and Clifford Brown with Strings at Adelaide’s Auditorium in Glasgow.
Towndrow and Quigley will take the roles of Parker and Brown respectively, accompanied by an eleven piece chamber orchestra and a jazz rhythm section, in a concert that marks the sixty-fifth anniversary of Parker’s first recording session with strings under the guidance of legendary record producer and Verve Records founder Norman Granz on November 30, 1949.
Parker had wanted to record with strings since his friend and fellow bebop pioneer, Dizzy Gillespie’s 1946 recording of four Jerome Kern songs in a similar setting that were subsequently blocked from release by Kern’s estate, and the success of Parker’s first six-track ‘with strings’ album led to another album the following year.
By the time Clifford Brown with Strings followed in 1955, the trumpeter was able to benefit from advances in studio technology. The resulting recording, featuring Brown’s regular touring rhythm section of Richie Powell (piano), George Morrow (bass), Max Roach (drums), augmented by guitarist Barry Galbraith, made the six violins, two violas and cello string ensemble sound larger than its actual size.
The Glasgow concert aims to replicate this enhanced sound and follows Towndrow’s success this summer with his Commonwealth Games project for two big bands, Pro-Am, and recent performances with his organ trio, with the ground-breaking, award-winning horn quartet Brass Jaw and with the Scottish National Jazz Orchestra.
Quigley, who is soon to release his second album as a leader on Whirlwind Recordings, has enhanced his standing as one of Europe’s foremost trumpeters with appearances in Holland’s Metropole Orkest as well as sessions and tours with Quincy Jones, the BBC Big Band, Michel Legrand, Tim Garland, Laurence Cottle, and Vince Mendoza.
“It’s really exciting to be following in such illustrious footsteps as these iconic musicians,” says Towndrow. “It’s also quite daunting but the music they created in these historic sessions and the benchmarks they established are also very inspiring. It’ll be a thrill to stand in front of an orchestra and put our own stamp on these classic tracks.”
Rob Adams.

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