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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Monday, November 10, 2014

CD Review: Leo Appleyard – Pembroke Road

Leo Appleyard (guitar), Duncan Eagles (tenor sax), Neil Yates (trumpet/flugelhorn), Max Luthert (bass), Eric Ford (drums/percussion).
(Review by Hugh C).
Pembroke Road is the début album by twenty-five year old London-based guitarist Leo Appleyard. The album is a testament to the strength of enduring musical relationships. Appleyard states: “I have played in bands with Duncan Eagles and Max Luthert for more of my life than I haven't”.
These musicians have well-honed habits of working together and loose tempos, rapid transitions of mood and tricky time signatures become as natural as breathing. Leo Appleyard is marked out as a musician by his deep understanding and care about sound. He was given his first mixing desk at the age of fourteen – just a year and a half after he started the guitar and he has been working as a sound engineer professionally since the age of 17. This experience enables him to integrate electronic effects into his sound, but at the same time fully exploit the resonances of the hollow-bodied guitar he invariably uses.
There are nine tracks on the album – coming in at just over 52 minutes in total. The Homeless Wizard is named after one of Appleyard's friends (not in the band) and features drummer/percussionist Eric Ford. Wales-based Neil Yard (trumpet/flugelhorn) guests on the album on three tracks, including the second, Mass. This has a deliberate filmic quality and in places has a folky feel, reflecting Yates' talent in that genre. The Cleaver features the paired lyrical tones of Yates' trumpet and Eagles' sax. Anywhere South started as an exercise on Coltrane's 'Giant Steps' and has contrasting sections of fast and energetic forward motion and repose. Mantra contains some of the most atmospheric material on the album and incorporates different styles – a blues element, a Bach chorale and a modal vamp. Appleyard's musical mantra is to combine different elements, forging them into one.
The album was recorded in StudioOwz in the middle of rural Pembrokeshire. The studio was set up by a friend of Appleyard's and the sense of space and isolation, together with the rural surroundings, captured Appleyard's imagination. The title track Pembroke Road (sixth on the album) was actually composed after a visit to the studio (accessed by a dusty off-the-grid track) by Appleyard five years before he returned with the other musicians and eight more compositions. Intro to a Waltz features a sombre bass solo from Max Luthert before the revelation of the happy tune in Walsio. The final track I Remember is a different take by Appleyard on a standard by Victor Schertzinger.
This album comes with the imprimatur of the F-IRE label, which to the older jazzer can have slightly scary connotations! There is however nothing scary about this album. It is beautifully melodic throughout and elegantly demonstrates the musicianship of all participants. The sensitive interplay of the five musicians on the album is a delight.
Pembroke Road is released on Monday November 10 (Today).
CD Launch Gig: November 16 (12am), EFG London Jazz Festival, Pizza Express, Dean Street
Pembroke Road is on the F-IRE Label No. F-IRE CD75
Currently listed tour dates feature nowhere North of Birmingham.
Hugh.

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