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Bebop Spoken There

Giovanni Guidi: "So many jazz albums today are all original compositions, and five minutes after the record is finished, you can't remember a single song. I think it's a problem." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday October 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Aurora - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student). Zoë Gilby, Noel Dennis & co play the music of Tom Harrell.

No Fox - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Darlington Big Band - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Gerry Richardson Jazz Quartet - Hoochie Coochie, 54 Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (doors 7:00pm). Free.

Blues/Soul/Funk

Holy Moly & the Crackers - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AE. Tel: 01642 674115. 7:30pm. £12.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 17, 2011

Paul Edis Trio at The Cherry Tree, Monday 16th. May 2011

Paul Edis (piano/ flute), Mick Shoulder (bass) and Roly Veitch (guitar/ vocals).
We arrived at The Cherry Tree ravenous and caught only hints and fragments of the first two numbers from the bar area while being tormented by delicious hints and fragrances from the kitchen opposite. These “soundbites” whetted the appetite for jazz and food alike.
           Tonight’s unusual line-up (Crook revisited!) saw Roly Veitch’s guitar and vocals replacing drums at short notice (and very ably indeed).
We were at table and up to speed by Nature Boy with Roly’s vocals as smooth as the tarragon and truffle oil which garnished my Gratin of asparagus and salsify – wonderful! After Paul gave the flute its first outing of the evening (sorry, I missed more titles than I heard!) we had Darn that Dream and a dreamy Crab linguine with chilli, garlic and lemon – a Cherry Tree favourite. Chef on victuals, Roly on vocals: what can I say? The boy's darn good!
Then it was Montego Bay to Osborne Road (via Crook) with Calypso Jim – a Roly Veitch gem – with infectiously sunny solos on both flute and guitar, swiftly followed by All the Things You Are which, accompanied by Crème brulée with rhubarb compote and vanilla shortbread (All the Things You Like?) took us to the break.
The restaurant was gradually filling, now, having been quieter yet, thanks to one couple (utterly oblivious to the musicians), noisier than usual! This pair apart, everyone was visibly enjoying the food and the music.
Set two opened with a lively, rhythmical number (sorry, missed that title, too!) followed by more vocals from Roly on 100 Years from Today. The next “untitled” featured melodic flute, a fine bass solo (with flute “long-notes” thrown in) and flute/guitar fours too!. In this number and throughout the evening, Mick Shoulder’s steady bass was the band’s pulse.
At this point Roly got vocally romantic with My Romance but, unfortunately, “Dumb and Dumber” on a nearby table (and on their third bottle of red in double-quick time!) got Loud and Louder! In which company the Chopin-inspired How Insensitive, seemed remarkably appropriate!
Things quietened then as Roly did a beautiful version of In the Wee Small Hours and another young couple (God bless them for restoring my faith!) showed how to react to romantic music by doing a spontaneous two minutes of “Strictly Ballroom” on the landing above, seemingly unaware that they could be seen from below!
The set ended with a choo-choo-boogie blues (not the title – another train I missed!) featuring some great picking and piano, a bowed-bass solo and a whimsical flute flourish at the close. That sounds a bit like tasting notes for a flavoursome wine: this was a vintage performance full of subtlety and variety – and that goes for the food, too!
Jerry.

1 comment :

Liz said...

Really enjoyed reading that, loved the dumb & dumber bit!
Liz

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance