Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Thursday, December 16, 2010

HOW IT WAS FOR ME? – FURTHER FORAYS OF A TRAINEE JAZZ SINGER

On Monday and Wednesday of this week, the Jazz Singing class from The Sage gave performances at the Jazz Cafe, for family and friends.
Great fun, and good companionship from my fellow singers – we were all in this together, worrying about forgetting words or singing in the wrong key at the wrong speed. However, it all turned out well and leader, Lindsay Hannon, praised our efforts.
About 12 of us sang on Monday and 7 on Wednesday, covering our repertoire of I’ve Got Rhythm; Song for my Father; I’m Beginning to see the Light; Sweet Georgia Brown; and Like Someone in Love, plus songs from previous terms for those of us who’d been around longer.
I can write only of my own experience, but I must say that more than half the pleasure of gigs like this is hearing the way that other singers interpret the songs we’ve all learned. I opted to sing I’ve Got Rhythm; Imagination; and Them There Eyes. I was brave enough to have no words with me, so Lindsay’s training must have increased my confidence. I did have a sheet showing the key, speed and arrangement for each song, which was a great help. Then of course Lance tells me that jazz singers need only a nod of the head and the band will somehow know the arrangement. Thank you Lance, perhaps in the future...
I tried some simple scat for the second chorus of I’ve Got Rhythm, and also a jokey line of words, which no-one reacted to, so I’ll not try the joke again. You learn on the job. Imagination went well and the band praised it, which chuffed me no end. I stumbled over a line in Them There Eyes, which no one appeared to notice at all, as the rest of the song seemed fine.
I write this not to praise myself, but to show that jazz singing classes work to increase both enjoyment and confidence. Before the classes, this time last year, I wouldn’t have had the faintest idea of how to work with a jazz band. And praise must go to the our band, The Blue Jazz Quintet, who have patiently worked with us for some of the sessions as well as accompanying us and doing stonkingly (good jazz word, that is) good instrumentals. So thanks to all who have contributed to what has been a great experience. But I still can’t put up a mike stand, is there an engineer in the house?
Ann Alex.

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