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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 28, 2009

A Blaydon Delicacy - Roly Veitch/Jim Birkett Duo w. Mick Shoulder

Jim Birkett (gtr), Roly Veitch (gtr/vcl), Mick Shoulder (bs).
The intimate atmosphere of the club lounge is tailor made for Jim, Roly and Mick's gentle brand of jazz. Add a few friends and acquaintances that I hadn't seen for many years (Hi Brenda, Hi Derek C) plus jazz regulars George, Jim, Cathy and John and you have the recipe for a very enjoyable, well attended, evening with some gourmet guitar jazz the icing on the cake.
This was another feast of quality songbook material although Roly's vocal chords were only used sparingly, but effectively, tonight. When he did sing, I was pleased to hear the verse to such gems as "A Hundred Years From Today", "Honeysuckle Rose", "Take me to the Land of Jazz" and Ray Noble's "The Touch of Your Lips" all chanted in his cool relaxed style.
However, this was predominantly a guitar night with both Jim and Roly playing some great stuff.
The fugue-like interplay on the opening "I'll Remember April" set the mood. This was no cutting contest but two sympathetic players making good music together. Jim's choice of "A Nightingale Sang in Berkely Square" served to remind us, as if we needed reminding, what a marvelous song it is. I love the way the middle eight bursts from the preceding sixteen bars adding a touch of majesty to what, until then, is just a very nice tune. "Meditation" - the vamp-like chord progression at the end has always made that tune special to me.
So many moments to savour - not least the contrasting timbre of the two guitars. Jim, the electric guitar sound associated with everyone from Charlie Christian onwards. Roly, more in the electro/accoustic vein of say George Barnes.
And who would have thought I'd hear "In Your Own Sweet Way" two nights running?
As well as the six-stringers, on four strings, double bassist Mick Shoulder played as good as I can recall hearing him - his solo on "Yesterdays" impressing both audience and band as the photo indicates. His inclusion, I think, gave tonight's session the edge on last month's gig.
Incidentally, tonight was a hasty replacement for the Bill Harper/Anne De Vere gig advertised. Bill and Anne hope to make Blaydon in September.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance