Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

September.

Tue 01: Customs House Big Band @ Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, John Hirst.

Wed 02: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Wednesday, February 11, 2009

Thank You from Eric Boeren.

(To avoid the risk of 'losing' this comment from Eric Boeren I have published it as a seperate post - Lance)
Thanks good people of Newcastle for the warm reception our quartet received at the Side Café. We had a ball.
I do read a bit of confusion as to what instrument I am playing: a cornet, made by C.G. Conn in the early 1930's. It does look like a trumpet but the 'inside' is conical where a trumpet is cylindrical. The 'feel' of a trumpet is different from the cornet and the sound is more pregnant. My guess is that, since in those years the greatest trumpet player of all time (at least to me) Louis Armstrong, had switched from cornet to trumpet, the Conn Company started to cater for those cornet players who wanted to have an instrument that looked like that of their hero, but who could not come to terms with different resistence they were met with.
When I started out in 1979 (at 19) my first instrument was a cornet. A short model with a so called 'shepherd's crook'. Later on I was asked by several group leaders that I was working for to play the trumpet. But I could never come to terms with the different feel and response of the trumpet. On top of that I found it harder to blend with other horns. In the early 1990's I swapped back to the cornet. In 2001 I found this Conn that I have been playing ever since. It blends nicely with reed instrumemts and, maybe due to it being designed looking like a trumpet, I can play in big bands without feeling lost in the section. On behalf of Sean, Wilbert and Paul I would like to thank you all once more for your warm welcome and ditto reception of our music. We can't wait to come back to Newcastle. Eric Boeren
(This comment was in reply to postings by Roly and Russell.)

1 comment :

Lance said...

I think everyone is in agreement that you / the quartet will be very welcome to come back. Hopefully in a bigger venue.

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