Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, February 11, 2009

Thank You from Eric Boeren.

(To avoid the risk of 'losing' this comment from Eric Boeren I have published it as a seperate post - Lance)
Thanks good people of Newcastle for the warm reception our quartet received at the Side Café. We had a ball.
I do read a bit of confusion as to what instrument I am playing: a cornet, made by C.G. Conn in the early 1930's. It does look like a trumpet but the 'inside' is conical where a trumpet is cylindrical. The 'feel' of a trumpet is different from the cornet and the sound is more pregnant. My guess is that, since in those years the greatest trumpet player of all time (at least to me) Louis Armstrong, had switched from cornet to trumpet, the Conn Company started to cater for those cornet players who wanted to have an instrument that looked like that of their hero, but who could not come to terms with different resistence they were met with.
When I started out in 1979 (at 19) my first instrument was a cornet. A short model with a so called 'shepherd's crook'. Later on I was asked by several group leaders that I was working for to play the trumpet. But I could never come to terms with the different feel and response of the trumpet. On top of that I found it harder to blend with other horns. In the early 1990's I swapped back to the cornet. In 2001 I found this Conn that I have been playing ever since. It blends nicely with reed instrumemts and, maybe due to it being designed looking like a trumpet, I can play in big bands without feeling lost in the section. On behalf of Sean, Wilbert and Paul I would like to thank you all once more for your warm welcome and ditto reception of our music. We can't wait to come back to Newcastle. Eric Boeren
(This comment was in reply to postings by Roly and Russell.)

1 comment :

Lance said...

I think everyone is in agreement that you / the quartet will be very welcome to come back. Hopefully in a bigger venue.

Blog Archive