Stacey Kent can both delight and annoy. Her voice, irritatingly coarse one minute, soft and tender the next. Rarely does she maintain the consistency she displays on record.
Tonight was one of the better ones with only the opening “Hard Hearted Hannah” and the “My Fair Lady” number “Show Me” being particularly grating. Paradoxically, one of the more beautiful renditions was from the same show; “I’ve Grown Accustomed to Her Face.”
Stacey also had her moments on a couple of chanson the titles of which I didn’t catch but were sung quite evocatively.
Her latest disc, “Breakfast on the Morning Tram,” was well featured and, whilst confessing to the appeal of the title track, I cannot disagree with the two gentlemen sitting behind me, one of whom remarked that, a couple of years from now, the originals on the CD will probably be forgotten whereas the material she uses from the GASB will be played and sung forever.
Jim Tomlinson (Mr Kent) is a nice tenor player in the Stan Getz mould and he plays some pretty stuff in between his wife’s warbling but a little more gut in the bucket wouldn’t go amiss. On piano, Graham Harvey made the most of his limited solo space, Steve Chamberlain (bass) seemed sound enough and Matt Skelton held more than a little in reserve during his drum solo.
By and large it was an enjoyable evening although Stacey’s cringe-making gushiness towards hubby make the Dankworths seem, by comparision, like the Duckworths.For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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October.
Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.
Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.
Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.
Wed 21: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: FILM: Blue Moon @ Washington Arts Centre. 1:00pm. £4.50 (inc. bf). Biopic of lyricist Lorenz Hart.
Wed 21: De'Sean Jones’ Urban Art Orchestra @ The Cluny, Newcastle. 7:30pm (doors). £10.00.; £5.00. student, unwaged; free to Mercury Awards ticket holders. De'Sean Jones (tenor sax, EWI); Tjoe Man Cheung (guitar); Mikele Montolli (double bass) + others TBA.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 21: Roby Glod-Steve Sewell Quartet @ Central Bar, Gateshead. 8:00pm.
Thu 22: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 22: Mercury Prize @ Utility Arena Newcastle. 8:00pm. £60.25.; £48.75. Line-up inc. Knats.
Thu 22: Dean Stockdale Trio @ Bandstand!, Exhibition Park, Newcastle. 7:30pm. Tickets: £10.20 (inc. bf) via Instagram. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Thu 22: Olly Styles Trio @ The Globe, Newcastle. 8:00pm. £7.75.
Fri 23: Sara Oschlag w. Arnie Somogyi Trio @ The Lit & Phil. 1:00pm. Sara Oschlag (vocals); Ben Lawrence (piano); Arnie Somogyi (double bass); John Hirst (drums). SOLD OUT!
Fri 23: Emma Fisk’s Hot Club du Nord @ Gala Theatre, Durham. 1:00pm. Durham Jazz Festival. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Maja Bugge & Dave Evans @ Claypath Deli, Durham. 7:00pm. Durham Jazz Festival.
Fri 23: Knats @ King Street Social Club, North Shields. 7:00pm. £17.00., £14.70., £11.30., £5.50. SOLD OUT!
Fri 23: King Bees @ Billy Bootleggers, Newcastle. 7:00pm. Free. Superb Chicago blues band.
Fri 23: Sara Oschlag & Arnie Somogyi w. Ben Lawrence @ Ship Isis, Sunderland. 7:30pm. Sara Oschlag (vocals); Ben Lawrence (keyboards); Arnie Somogyi (double bass).
Fri 23: Ronnie Scott’s Soho Songbook @ Redhills, Durham. 8:00pm. James Pearson (piano); Sam Burgess (double bass); Chris Higginbottom (drums); Alex Garnett (sax); Polly Gibbons (vocals). Durham Jazz Festival. SOLD OUT!
Fri 23: SwanNek + Jacob Egglestone @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival.
Tuesday, August 12, 2008
Stacey Kent at the Gala Theatre Durham
Stacey Kent can both delight and annoy. Her voice, irritatingly coarse one minute, soft and tender the next. Rarely does she maintain the consistency she displays on record.
Tonight was one of the better ones with only the opening “Hard Hearted Hannah” and the “My Fair Lady” number “Show Me” being particularly grating. Paradoxically, one of the more beautiful renditions was from the same show; “I’ve Grown Accustomed to Her Face.”
Stacey also had her moments on a couple of chanson the titles of which I didn’t catch but were sung quite evocatively.
Her latest disc, “Breakfast on the Morning Tram,” was well featured and, whilst confessing to the appeal of the title track, I cannot disagree with the two gentlemen sitting behind me, one of whom remarked that, a couple of years from now, the originals on the CD will probably be forgotten whereas the material she uses from the GASB will be played and sung forever.
Jim Tomlinson (Mr Kent) is a nice tenor player in the Stan Getz mould and he plays some pretty stuff in between his wife’s warbling but a little more gut in the bucket wouldn’t go amiss. On piano, Graham Harvey made the most of his limited solo space, Steve Chamberlain (bass) seemed sound enough and Matt Skelton held more than a little in reserve during his drum solo.
By and large it was an enjoyable evening although Stacey’s cringe-making gushiness towards hubby make the Dankworths seem, by comparision, like the Duckworths.Blog Archive
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2008
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312
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August
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29
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- SIDE IS BACK (this Monday)
- Chet Baker; Singer or Trumpet player?
- Taking It To The Extreme At The Chilli
- R.I.P Bob Florence
- Gary Potter and his Waltone guitar by Ron Chapman
- Slim Gaillard on Norman Granz
- The Story of the Hagstrom James L D'Aquisto Guitar...
- No Jazz At St Nicks
- NYJO
- Zoe Gilby Sextet at Blaydon Jazz Club
- Lee Young R.I.P
- The Blofield Experiment
- Alan Glen at the Chillingham
- Tyne Valley Stomping at Saltwell Park
- Keith Armstrong Book Launch
- Music To Sooth The Savaged Breast
- George Shearing 89 not out
- Stacey Kent at the Gala Theatre Durham
- Blossom Dearie
- Swinging in the Rain
- Bird evicted From Treehouse
- Gene Autrey Rides Again. Saville Exchange North Sh...
- John Hallam with the Jeremy McMurray/Roly Veitch Q...
- Bobby Durham R.I.P
- Another Day at The Office for the Chillingham Herd
- Carol Kidd in Jarrow (on LP)
- MacJazz Says ...
- Ornette Coleman says...
- BBC Blues
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August
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1 comment :
Yes, a very pleasant night!
With a few more up tempo numbers the performance would have been complete.
Stacey and her musicians have a good rapport with the audience and deserve their success.
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