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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Nomade Swing Trio @ Café Needles Eye, Newbiggin-by-the-Sea. 6:00pm. Reservations: 01670 641224.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: The Ronnie Scott’s Story @ The Fire Station, Sunderland. 7:30pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Nomade Swing Trio @ Repas7 by Night, Berwick. 7:30pm. Free.
Fri 26: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 26: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Fri 26: Bold Big Band @ Old Coal Yard, Byker, Newcastle. 9:30pm. A Newcastle Fringe Festival event.

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sunday, August 03, 2008

MacJazz Says ...

It was the late 1940's and a new music had arrived from America, they called it Be-Bop ! An early purchase from my favourite record shop was the Dizzy Gillespie All Star Quintet playing ' Loverman ' Sara Vaughan supplied the vocal. Was I lucky to be around to hear this musical revolution ? You bet I was! Lance says ... This posting actually turned up on 16 April this year but somehow or other got shuffled out of the system! Apologies to MacJazz and don't say 'Typical Sassenach!'

5 comments :

Lance said...

I came into jazz in the early '50s by which time Bop had been assimilated into the modern jazz canon and Bird was no longer seen as a trailblazer - "just" a very fine alto player!
The revolutionary of my early days was Gerry Mulligan and his pianoless quartet although the first modern discs I bought were Dizzy Gillespie's "The Champ" and Earl Bostic's "Flamingo".

Anonymous said...

It was Kenton that did it for me. Worshipped the guy as did a lot of us. Now most of it sounds pretentious and dated whereas most of the Woody Herman sides from the same period still sound good.
Anyone else want to tell Lance where it all began for them?

Anonymous said...

Mine began with my dad introducing me to wonderful vocals like "Laura" He was a fine guitarist. I grew up with Django,Hoagey and the like. Sunday nights at our local cinema were the bands of Ken mackintosh, Ted Heath etc.It was the big American bands though that really excited me. Radio Luxembourg was where we learnt the words to the current fave songs. Ella was my first real introduction to the American Songbook, and seeing her at the Leeds Odeon, age 16(me) performing one of the "Jazz at the Philharmonic" concerts was pure magic. After that I was hooked!
Music is like life blood to me and I feel fortunate to have been around to see/hear all those great artists in my younger years.Mel Tormé remains one of those singers who never disappoints.I listened to his recording of "I'll be seeing you" yesterday, I thought to myself, it doesn't get much better than that.

Anonymous said...

Omitted to say that the Mel Tormé recording was with the great George Shearing accompanying.What a combination!

Anonymous said...

The first jazz radio programme I listened to was on Radio Luxembourg. It was the Pye records spot between 7:15 and 8:30 every night. I seem to thing it was Midnight in Moscow by Kenny Ball that I bought after hearing it on that show.

My first move into real jazz was by way of Latin ( all the Jobim stuff ) and solo piano players such as Pete Jolly and Dudley Moore

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