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Bebop Spoken There
Daily: July 6 - October 27
Today Monday August 19
Sunday, August 03, 2008
MacJazz Says ...
It was the late 1940's and a new music had arrived from America, they called it Be-Bop ! An early purchase from my favourite record shop was the Dizzy Gillespie All Star Quintet playing ' Loverman ' Sara Vaughan supplied the vocal. Was I lucky to be around to hear this musical revolution ? You bet I was!
Lance says ... This posting actually turned up on 16 April this year but somehow or other got shuffled out of the system! Apologies to MacJazz and don't say 'Typical Sassenach!'
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5 comments :
I came into jazz in the early '50s by which time Bop had been assimilated into the modern jazz canon and Bird was no longer seen as a trailblazer - "just" a very fine alto player!
The revolutionary of my early days was Gerry Mulligan and his pianoless quartet although the first modern discs I bought were Dizzy Gillespie's "The Champ" and Earl Bostic's "Flamingo".
It was Kenton that did it for me. Worshipped the guy as did a lot of us. Now most of it sounds pretentious and dated whereas most of the Woody Herman sides from the same period still sound good.
Anyone else want to tell Lance where it all began for them?
Mine began with my dad introducing me to wonderful vocals like "Laura" He was a fine guitarist. I grew up with Django,Hoagey and the like. Sunday nights at our local cinema were the bands of Ken mackintosh, Ted Heath etc.It was the big American bands though that really excited me. Radio Luxembourg was where we learnt the words to the current fave songs. Ella was my first real introduction to the American Songbook, and seeing her at the Leeds Odeon, age 16(me) performing one of the "Jazz at the Philharmonic" concerts was pure magic. After that I was hooked!
Music is like life blood to me and I feel fortunate to have been around to see/hear all those great artists in my younger years.Mel Tormé remains one of those singers who never disappoints.I listened to his recording of "I'll be seeing you" yesterday, I thought to myself, it doesn't get much better than that.
Omitted to say that the Mel Tormé recording was with the great George Shearing accompanying.What a combination!
The first jazz radio programme I listened to was on Radio Luxembourg. It was the Pye records spot between 7:15 and 8:30 every night. I seem to thing it was Midnight in Moscow by Kenny Ball that I bought after hearing it on that show.
My first move into real jazz was by way of Latin ( all the Jobim stuff ) and solo piano players such as Pete Jolly and Dudley Moore
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