Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, August 08, 2008

Gene Autrey Rides Again. Saville Exchange North Shields

An evening dedicated to the music of Fats Waller, put together by Mike Durham and featuring, in the main, some of the ‘Harmful Little Armful’s’ lesser known tunes. Cast as Fats the Pianist was Keith Nichols, now, seemingly, almost the house pianist at the Saville; a role he performs to perfection aided and abetted by a splendid grand piano. The part of Fats the Vocalist was ably split between Keith and Mike and I wonder if I was the only one in the audience who felt a tad uncomfortable at Keith singing “Black and Blue?” Probably was, judging by the applause. Sharing the front line with Mike was John Crocker (ten/clt) whose tenor playing recalled Fat’s former sideman Gene Cedric in spirit if not in style although it was his clarinet playing that got the gold from this listener. Mike the Trumpet stood in for Herman Autrey and played with the punchiness of Humph the Younger. Mike the Compere, of course, displayed much of the humour of Humph the Elder. On guitar and, for one number only, banjo, Keith Stephen added contrast with some Bernard Addison/Al Casey style solos. On bass, Bruce Rollo did the business in a totally professional manner and Nick Ward on what, back then, would probably have been described as “The Traps,” had some “Slick” and imaginative solos. An enjoyable gig even if the Earth didn’t move too far.

No comments :

Blog Archive