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Bebop Spoken There

Oscar Peterson: "I find most pianists use too many notes in a chord. They double up an awful lot" - (Crescendo May 1963).

Benny Green (British): "...there was a whole race of men who used to stand in front of their bands, waving their arms, pretending to conduct ... Many of the bandleaders we had worked for had been either crooks or imposters ... " - (Crescendo March 1963).

Today Saturday September 22

Afternoon

Festival of Thrift - Kirkleatham, Redcar, Cleveland TS10 5NW. 10:00am. Line-up

Evening

Emma Fisk & James Birkett - St Cuthbert’s Church, 5 Woodside, Shadforth, Co. Durham DH6 1LD. 7:30pm £10.00 (u16 free) includes finger buffet, BYOB.

Ruby Turner - ARC, Dovecot Street, Stockton on Tees TS18 1LL. Tel: 01642 525199. 8:00pm. £20.00. + £2.00. b/f.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, June 13, 2014

Book Review: Laurie Pepper - ART: Why I Stuck with a Junkie Jazzman.


(Review by Lance)
One of the pivotal moments of my life was hearing Art Pepper in concert at, what was then, Newcastle's University Theatre. I was stunned! I'd never heard alto playing like it, nor had I witnessed a person visibly being destroyed by demons and being so able to rise above it. This was akin to the second coming of Christ (Charlie Parker) and I left in a state of shock. The following day, which would be May 11, 1981, I bought every Art Pepper album I could lay my hands on. This wasn't difficult as I worked in a Newcastle music store.
Another pivotal moment was the autobiographical tome Straight Life written by Laurie Pepper from taped conversations with Art. This was a harrowing, unputdownable read that caused my friend, the late Brian Fisher, to say it made Anita O'Day seem like a nun! (O'Day's High Times, Hard Times is another tale of jazz and addiction.) After reading ART: Why I Stuck with a Junkie Jazzman, I'm tempted to say that Laurie makes the Art of Straight Life seem like a monk and I don't mean Thelonious!
It's a remarkable book written, this time, from her perspective rather than her husband's and it is as equally compelling as the first book. The two are inseparable. If you've read Straight Life then you must read this. If you read this one first then seek out Straight Life.
In passing, yes it's jazz history, but it's also a very powerful love story. A strange and unconventional love story but these are strange and unconventional people. One an artist capable of overcoming a mountain of set backs to produce some of the greatest modern jazz ever heard. The other a writer inspired by - and able to inspire - a genius. If Art Pepper had been a Country artist then the title would surely have been Stand by Your Man. Fortunately he wasn't and the title, laid on Laurie by an Australian journalist long before the book's conception, was recalled and proved a flawless choice in describing two far from flawless people! Together they have plumbed the depths and reached the heights. It is the latter position Laurie Pepper  has achieved with this book (and Straight Life).
Lance.
Laurie Pepper - ART: Why I Stuck with a Junkie Jazzman.
Art Pepper Music Corporation. ISBN-10: 1494297574; ISBN-13: 978-1494297572. 

1 comment :

Lance said...

16 likes on F/b so far plus 4 comments (inc one from Laurie herself.)

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance