...it's a beat-up Continental headin' for the Motor City, a 64 wheel rig out on Highway 61. A Greyhound bus, maybe somewhere in the Ozarks, it's a souped-up black, Pontiac Sedan.
Just a few of the images conjured up by the musical juggernaut that is Gerry Richardson's Big Idea. Nine pieces of funky soul that manage to sound like twenty-nine and counting.
Gerry leads from the front on a Hammond B3 (is it?) out-smokin' just about every organist around - he makes Brother Jack McDuff sound like Jack McDuff's brother. He throws in a few Mose Allisonic vocals - Tom Waits with class.
The pot is kept on the boil by Rod Sinclair's guitar blasts and the relentless drive of Paul Smith on drums - his solo in the final number was something else.
The horns all hit the right groove. Sue Ferris on bari, tenor and flute, Stuart Johnson, tenor/soprano, Gary Linsley, alto, Mark Webb & Dave Highnote (Hignett) trumpets and Keith Norris trombone.
Although it is unfair to signal anyone out, I do think Sue's flute playing deserves a special mention for the tonal contrast it brings to the section and because she's prettier than the rest.
Great night. Photos.
Enjoyed meeting up with some old friends in the form of the portly Andy Hudson and the ever elegant Germaine Stanger.
Lance.
Hi Lance
ReplyDeleteI couldn't agree more about Sue's flute playing.She can find her way around the baritone,too.
Stuart Johnson continues to impress taking a scorching soprano solo and later on he added a similar contribution on tenor.
Agreed,a great night.
Russell