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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Tue 25: Fred Wesley & the New JB’s @ The Cluny. 7:30pm (doors). £27.50. POSTPONED! New date Wednesday 26 November.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Hannabiell & Midnight Blue @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 27: Michael Littlefield & Scott Taylor @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb blues duo.

Fri 28: Giles Strong Quartet @ The Gala, Durham. 1:00pm. £8.00 SOLD OUT!.
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Pete Tanton’s Chet Set @ Old Cinema Laundrette, Durham. 7:45pm.
Fri 28: Sue Ferris Quintet @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 28: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 28: Juliana Day & Manon McCoy @ Cumberland Arms, Byker, Newcastle. 8:00pm. £12.00.; £10.00. advance. JNE.

Sat 29: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 29: Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Sat 29: Squabble! @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, March 22, 2025

New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle - March 21

New Century Ragtime Orchestra: Alistair Lord (trumpet, cornet); Dave Hignett (trumpet, cornet); Neville Hartley (trombone); Jim McBriarty (reeds, vocals); Alan Marshall (reeds); Gavin Lee (reeds); Martin Litton (piano); Ed Cross (violin); Keith Stephen (guitar, banjo); Phil Rutherford (tuba); Nick Ward (drums); Caroline Irwin (vocals)

The New Century Ragtime Orchestra marked its twenty fifth anniversary with a return visit to Gosforth Civic Theatre.Cabaret table layout, the NCRO attracted a sizeable crowd, there to listen to two one hour sets of ragtime numbers and more. 

The first of several surprises occurred right at the beginning of the evening. The twelve piece NCRO was shorn of several members. Eight, yes, eight musicians ambled onto stage. What was going on? Très Moutarde (Too Much Mustard) opened the show with eight musicians on the bandstand. In the absence of the NCRO's vacationing Steve Andrews, Caroline Irwin and Jim McBriarty would share MC duties and it was Ms Irwin who explained all: the band's very first public performance comprised eight musicians. Yes, it was a surprising and most entertaining opening! As the applause died down, the eight were joined from the wings by the remaining members of the orchestra, making it the more familiar round dozen.  

I'm Through with Love  sang Irwin, a winning number in the NCRO's pad. As and when the occasion demands, the NCRO is augmented by one or two guest musicians. This was one such occasion and old friends of the band, virtuoso pianist Martin Litton and period percussion master Nick Ward, joined the party. The ever-elegant Litton had the stage to himself to play some Irving Berlin - the little-performed Soft Lights and Sweet Music a highlight. The Sheik of Araby (see photo) dropped by to sing...well, you've guessed it. And who played the part of the Sheik? That would be telling...                

Steve L. Roberts' Wha-Cha-Call-'Em Blues, as recorded by Fletcher Henderson, scored heavily, as did Clarence Williams' I'm Busy and You Can't Come In. Dusted off charts and new charts had the effect of revitalising the NCRO, twenty five years on from the band's first gig. 

Second set, Jim McBriarty sang My Baby Knows How (much tittering at a front row table), Martin Litton held court once more - two numbers, Bix B's In the Dark and Fats Waller's Zonky. Truly a master at work. Twenty five years (or thereabouts) of the New Century Ragtime Orchestra, revived charts, new numbers, thoughtful presentation, not to mention excellent musicianship (special mention of Dave Hignett, trumpet and cornet, and, the man who has been there from day one, Neville Hartley, trombone), it had been a splendid evening. Here's to the next quarter century.  

Covid years resulted in something of a hiatus. The NCRO first performance was last century (late 20th century), c 1997-98. Russell

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