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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Friday, December 18, 2020

How I Became Addicted to Jazz. Miles Watson reflects ...

How did I get into jazz? I didn’t, it somehow got into me. Growing up in the '40s and '50s in a house where the wireless (radio) was always on, the popular music of the day was infiltrating my brain with the dance bands and record request programmes. I first heard Muggsy Spanier, Bunny Berigan and Fats Waller on Forces Requests, the word jazz was never mentioned it was all part of the pop culture.

At the end of the war my eldest brother bought a self-changing radiogram with his demob gratuity and every week would come back from town with an eclectic selection of 78s everything from grand opera to Spike Jones. My favourite pastime was playing the B side of the popular records, Fats Wallers Moppin’ & Boppin’Shortnin’ Bread and Dinah and Pee Wee Hunt’s Somebody Else Not Me, are still fondly remembered.

Saturday evenings in the Men’s Institute listening to the football results followed by Jazz Club with the likes of Harry Parry and Freddy Randall and later in the week listening at home with ear pressed up against the speaker to catch Kenny Baker’s Dozen on Let’s Settle for Music. By then I thought I knew what jazz was all about after buying Rex Harris’ Penguin book on jazz but really the eye opener came on a visit to the Oxford Galleries to hear Freddy Randall who’s 7 piece band just about blew the roof off with not a piece of music in sight.

The direction of my interest was now set for life, listening to local and national bands and record buying. Then the highlight of my life, the appearance of Louis Armstrong at the City Hall. Like a lot of others there that night the hairs stood up on the back of my neck and the 25 bob for the ticket was the best spend of my life. The succeeding concerts by the legends and the newer stars of jazz just embedded the music that far into my soul that even marriage, family, mortgage, work and other interests could never dispel. In my 85th year and as Duke said “Don’t Get Around Much Anymore” my love for the music is still as much alive in me as it was 70 years ago.

Miles Watson

4 comments :

Lance said...

Great stuff Miles and how similar are my own early memories. Louis at the City Hall, Kenny Baker and, like yourself, most of all, Freddy Randall. I was 15 or so and heard the band at Seaburn Hall. I remember Betty Smith on tenor, leaning back on her high heels and blowing some great Bud Freeman/Eddie Miller tenor. Strangely, Betty is rarely given her due when the current in theme - women in jazz - is brought up.

I digress. When I floated out of Seaburn Hall the last buses and trains had gone and I had to get a taxi home which didn't please my parents who had to fork out!

For me the Randall band was the best of the lot. Far more exciting than Humph or the trad/pop bands that followed. Only Alex Welsh compared and his personnel were mainly ex-Randall.

Russell said...

Miles, what's a 'self-changing' radiogram?

Hugh said...

Perhaps one that drops the records sequentially one on top of the other when the previous one has finished playing?

Lance said...

They were popular in the 78rpm era just after the war when electrically powered turntables replaced the old wind-up ones. You could stack 8-10 discs giving you 30+ minutes of music - in theory. In practice it wasn't all that simple. The first record played fine as the turntable had a material surface that prevented the discs from slipping. After that when it was shellac upon shellac the discs did tend to slip. Plus the weight of 7 records on 1 probably caused the turntable to slow down. The advent of the vinyl LP was welcomed by all except those who didn't want to have to buy 8 or 12 tracks in case they didn't like all of them!

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