Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, May 29, 2018

BSH Interviews Pete Gilligan

Prior to his gig at the Prohibition Bar, Gateshead, last night BSH Editor Lance caught up with pianist Pete Gilligan for a chat and an update:

Pete, until recently, you were pretty much a regular on the northeast jazz scene. How did you get to come up here in the first place?

I originally came to the northeast to go and study on the jazz, popular and commercial music course with James Birkett at what was then the John Marley Centre in Benwell. So that's why I came up here. Also, my sister lived in Sunderland for some time.

You were also very much involved with the Jazz Caff (Café) both ancient and modern for quite a long time.


The ancient involvement started when, I think, Jeff Armstrong asked me to come along and sit in with his band on a Friday night where Crombie then refused to let me in as he didn't recognise me even though I was in a suit with a piano! I spent about an hour in the rain before I eventually got in. From that point onwards I played there, well it was, at least, weekly until, well fairly recently.

And in the modern version you started off the jam session.

Well, with Paul Grainger, yes.

And it's continued very successfully.

So it seems to be, I'll find out on Tuesday.

And then you upped and offed.

Yes, I found myself doing a cruise ship gig in the South Pacific that ended up sooner than I planned and, well January and February in the northeast can be a bit cold and if you've given all your gigs and your teaching away it can be a bit bleak so we decided to do a bit of travelling which very quickly evolved into me working so that what was intended to be a three month holiday turned into 18 months and now I'm going back there. None of this was really planned, it's just the way it happened.

Do you work regular?

Yes, with a minimum of six gigs a week.

With good guys?

Yes with some very good guys. A New York drummer, Sean Kelly, a Thai bass player and another band with an Italian drummer, an American singer, Thai musicians, a five-piece and I also do a couple of solo gigs.

A good scene then?

Very good.

Do you have any plans to do some recording?

Yes I have. When I come back here in a few months, with some of the guys, and also out there. In the past I've always recorded for other people. Although I do actually prefer playing live.

I'll look forward to hearing them. Finally, when do you go back?

You'll have got rid of me by June 7.

I'll be counting the days - with sadness I hasten to add. Thanks Pete.

No problem.

Lance.

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