Bebop Spoken There

Emma Rawicz: "In a couple of years I've gone from being a normal university student to suddenly being on international stages." DownBeat January 2026.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18246 (and counting) posts since we started blogging 17 years ago. 100 of them this year alone and, so far this month (Jan. 31), 100

From This Moment On ...

JANUARY 2026

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Durham Alumni Big Band & Saltburn Big Band @ Saltburn Theatre. 7:30pm. £12.00. Two big bands on stage together!
Fri 06: Nauta + Littlewood Trio @ Little Buildings, Newcastle. 7:30pm. Double bill + jam session.
Fri 06: FILM: Made in America @ Star & Shadow Cinema, Newcastle. 7:30pm. Ornette Coleman.
Fri 06: Deep Six Blues @ Queen’s Hall, Hexham. 7:30pm.

Sat 07: The Big Easy @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 07: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30-3:30pm. Free. Open rehearsal.
Sat 07: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 08: Swing Tyne @ The Cluny, Newcastle. 12 noon (doors). Donations. Swing dance taster class (12:30pm) + Hot Club de Heaton (live performance). Non dancers welcome.
Sun 08: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 08: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 08: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.

Mon 09: Mark Williams Trio @ Yamaha Music School, Blyth. 1:00pm.
Mon 09: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, August 17, 2016

CD Review: Ben Bryden - Glasgow Dreamer - The Music of Ivor Cutler

Ben Bryden (tenor, harmonium), Reinier Baas (guitar, piano, harmonium), Mark Schilders (drums), Tom Berkmann (bass).
(Review by Steve T)
According to the notes this is Indie Jazz and I may have been better prepared had I read it first and may not be the ideal person to review it.
The instrumentation is largely sax, guitar, bass and drums which several sources have told me is the new frontline of choice instead of trumpet and sax, which may be bad news for trumpeters and pianists. I personally think the sax and guitar play well off each other and I like the space created as the guitar switches from comping to soloing. 
The first couple of tracks put this to good use with strong melodies and the leader has a distinctive tone reminding me of someone but I can't think who, so if anyone hears it and has any ideas, please help me out.
For the most part the indie comes from the guitarist who adopts a jingly jangly sound favoured by mid-sixties beat groups before Clapton and Hendrix changed everything, and was revived post punk-rock while musicianship was still scorned which has mercifully receded in recent years.
No question of his ability, though his runs occasionally seem predictable, but the sound actually works very well.
On track three The Meadows Go we get the indie style as well as the sound and this is where the problem starts for me. I don't have a problem with fusion and believe all music is fusion at some level. Nor do I necessarily have a problem where the respective musics seem incompatible or even contradictory. Nevertheless, this didn't work for me, not least because I believe indie bands are more interested in creating media myths by constructing a perception of difference from other pop groups deemed less 'authentic'.
The next few tracks continue as before but the introduction of a harmonium, sounding like an accordion, on track eight 74 to Dumfries left me somewhat bewildered.
Apart from the two tracks, there's some good Jazz on offer and anybody into indie, Britpop, punk-rock or even sixties guitar groups may find it of interest, but it's not for me.
Steve T.
Glasgow Dreamer - The Music of Ivor Cutler - samples/buy.

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