Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

September.

Tue 01: Customs House Big Band @ Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, John Hirst.

Thursday, August 13, 2009

LES PAUL - RIP

Les Paul died today aged 94. Where to start with such a multi-talented individual?
I first came across him when he and his wife Mary Ford were riding the charts with "Mocking Bird Hill", "Vaya Con Dios", "The World Is Waiting For The Sunshine", "How High The Moon", "Walkin' Whistlin' Blues" and dozens of others all using the then pioneering multi-tracking technique.
As I got into jazz I encountered the incredible guitar/piano choruses recorded with Nat Cole at a Jazz At The Philharmonic concert in the 1940s.
Until recently he played a regular Monday night gig in New York
When I started work in a local music shop I soon discovered that the Gibson Les Paul was THE guitar. I doubt if there's a serious guitarist anywhere, whether jazz or rock, who hasn't at one time owned a Les Paul or at least a Les Paul copy.
An amazing man, worshipped by musicians and technicians alike.
There are already a whole wadge of tributes appearing so I'll leave you to Google your own until the definitive one appears.
In the meantime, Wikipedia does the business.
Rest in Peace Les you were a one off (except on those multi-tracked recordings...)
Lance.

1 comment :

Roly said...

He was an amazing guy, a born innovator. Good Gibson Les Paul's from the peak period 1958/59 are now worth megadosh. I'm just thinking of local jazz guitarists who used a Les Paul at some stage - Eric Gamblin and John Hedley spring to mind. I don't think the Les Paul model was as much used for jazz styles as it might have been. Jim Hall used one whilst with Chico Freeman but soon moved to a Gibson 175 which I think he got from Howard Roberts.
Roly

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