For the past seventeen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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Bebop Spoken There
Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).
The Things They Say!
This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)
Postage
17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).
From This Moment On ...
January 2025
Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.
Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.
Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.
Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 28: ???
Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.
Reviewers wanted
Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog.
Look forward to hearing from you. Lance
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15 comments :
I enjoyed the program very much although I felt Curtis Stigers was out of his depth and I love Curtis Stigers. I liked the woman who reminded me of Anne Shelton.
That is Kim Criswell, a great Sondheim star & she has stood the test of time, always delivering
Liz
For me the big moment was when the violin section stood up and played a swinging (or should it be 'stringing'?)chorus of "I Got Rhythm"
Just had to mention...(Although sure everyone knows)...The conductor John Wilson is a Geordie !
Yes Mal & isn't he a star? The orchestrations were amazing, and the sheer size of it too. How on earth did he control all of those musicians so superbly? Note that Sir Thomas Allen is also a Geordie. I know he is an operatic singer, but he interpreted those lyrics with such feeling.This show will remain in my mind for a long time to come.
Liz
The most amazing thing of all was that after the original scores had been performed for the movie MGM scrapped them, considering them of no further use nor interest. In consequence, John Wilson had to re-create the originals note by note. He spent a whole day, apparently just getting 4 bars of one piece down. Like wow!
I work with the Brass & W/Wind sections quite regularly & all of them have so much regard & respect for John.....A true star....Mal Maddock
Listening to Broadway Rhythm again I just love the chord progression of the 4 bars that go:
"When I hear that happy beat
I feel like dancin' down the street"
For me, that phrase repeated frequently in this arrangement, is so catchy that when I hear it it sticks in my head for ages.
Perhaps Mal might enlighten me?
Sorry - I found this Prom really disappointing!
The singers couldn't hack it - even Stigers: the others had good voices but they were singing pop songs as if they were classical music!
It took the fun out of the tunes.
And the strings just made it all syrupy.
Hello "Rhythmaning" and welcome to BSH. I agree with you about Curtis Stigers - not his scene at all. However, I think we have to put the whole thing into perspective. The singers were classically trained - just as Kathryn Grayson, Howard Keel, Jane Powell etc. were in the actual movies and, as such, I thought they did a good job.
The problem I have with the Proms is that, in their attempts to diversify, they end up pleasing no one so perhaps they should stay with the 'old masters' rather than swim in unchartered waters whether it be Jazz, Rock, or movie music.
I enjoyed it for what it was not what it wasn't or what is might have been.
Hi Rhythmaning, Kim Criswell though, a good all rounder who was perfectly suited to the numbers she performed, full of verve & vigour..well I thought so anyway!
Liz
A touch of the Ethel Merman's I thought so I googled her and, lo and behold, she's played the Merman role in "Call Me Madam".
Casting director for your next venture? you have the knowledge, go for it!
Liz
Funny you should say that - I would like to re-make "To Have Or To Have Not" with you, Liz, in the Lauren Bacall role - you know how to whistle don't you? you just put your lips together and blow..
You'd be pushed to find a replacement for Hoagy!
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